I have never exactly seen giraffes in this light before. It is quite amusing. Enjoy!
5 mètres 80 – Nicholas Deveaux
J’ai réalisé il y a presque 10 ans “7 tonnes 2″ un court-métrage mettant en scène un éléphant sur un trampoline. Je voulais faire une suite, cette fois-ci avec des girafes … La création de ce film s’est étalée sur 1 an et demi.
Merci à Orange, Arte, ville de Paris, CNC, Procirep sans qui le film n’aurait pas pu voir le jour !
“…I once did a short film featuring an elephant on a trampoline. I wanted to do a sequel, this time with giraffes … The creation of this film was spread over 1½ years.”
“Baxter” by Ty Coyle
Baxter the raccoon makes his way into Granny’s Sweet Shop, but upon entering he gets so obsessed with the candy that he creates his own downfall.
Baxter is my senior thesis film produced at The Savannah College of Art and Design.
Production Link: tycoyle.com/seniorfilm
The 41st Annual Student Academy Awards – The Student Oscars – Best Animated Film Nominee
Winner – Best Animation – The Los Angeles International Underground Film Festival 2013
Winner – Best Student Film – The New Jersey Film Festival Spring 2014
Winner – Best Animation – The River Bend Film Festival 2014
Winner – Best Animation – The Atlanta Underground Film Festival 2014
Winner – Outstanding Achievement in Animation – Williamsburg International Film Festival 2014
Winner – Award of Merit – Best Shorts Competition 2014
Neil Gaiman’s “The Price”
“Wanderers and vagabonds have brands that are on the walls, trees and doors to inform of his ilk a little about the people who live in the houses and farms as they go on their travels. I think cats must leave similar signs. How else explain what the cats that appear on our door during the year, hungry, infested with fleas and abandoned? “
A short animation based on the story by Neil Gaiman “The Price”, published in “Smoke and Mirrors”.
“Ernest and Celestine” |Trailer US  Animated
Oscar-nominated for best animated movie. In English.
Deep below snowy, cobblestone streets, tucked away in networks of winding subterranean tunnels, lives a civilization of hardworking mice, terrified of the bears who live above ground. Unlike her fellow mice, Celestine is an artist and a dreamer – and when she nearly ends up as breakfast for ursine troubadour Ernest, the two form an unlikely bond. But it isn’t long before their friendship is put on trial by their respective bear-fearing and mice-eating communities. Fresh from standing ovations at Cannes and Toronto Ernest & Celestine joyfully leaps across genres and influences to capture the kinetic, limitless possibilities of animated storytelling. Like a gorgeous watercolor painting brought to life, a constantly shifting pastel color palette bursts and drips across the screen, while wonderful storytelling and brilliant comic timing draw up influences as varied as Buster Keaton, Bugs Bunny and the outlaw romanticism of Bonnie and Clyde. Bringing it all together is the on-screen chemistry between the two lead characters – a flowing, tender and playful rapport that will put a smile on your face and make your heart glow. Based on the classic Belgian book series by Gabrielle Vincent, Ernest & Celestine is winner of the Cesar Award for Best Animated Feature and numerous festival prizes. (c) GKids
Rating: PG (for some scary moments)
Genre: Animation , Art House & International , Science Fiction & Fantasy
Directed By: Vincent Patar , Benjamin Renner
Written By: Daniel Pennac
Runtime: 1h 20m
“When you get to the end of all the light you know
and it’s time to step into the darkness of the unknown,
faith is knowing that one of two things shall happen:
either you will be given something solid to stand on,
or you will be taught how to fly.” ― Edward Teller
Written by Shawn MacKenzie
Post Tuesday 16th December 2014
In the Realm of the Senses
“Observe, record, tabulate, communicate. Use your five senses. Learn to see, learn to hear, learn to feel, learn to smell, and know that by practice alone you can become expert.” …. Sir William Osler, M.D., C.M.
Last night I was watching the cats play with the chinchillas (a special birthday treat for the kittens). Claws sheathed, eyes wide, ears forward, whiskers twitching, and mouths open to taste the air, they were totally in the now, absorbing the experience with every sense at their disposal. The chins, too.
Oh, the lessons we learn from our companion critters everyday!
Try though we might to place ourselves on a separate, gilded rung of the evolutionary ladder, we human beings are still animals. Like other furred, feathered, or scaled creatures, we still count on our senses to guide us through the world. Sight, sound, touch, taste, and smell, they layer our existence, give it depth and intrigue. They teach us what is safe, what is deadly, what is sexy, what is repulsive. Indeed, without well-honed perceptions, we would surely be as dead as the dodo.
Curiously, though we live by our senses, many writers have forgotten to write by them. Oh, we communicate through sight, sure. We are highly visual creatures. The aspects of person or place, the colors, shadows, shapes, all are accessible, familiar, and easy to share. Sound usually comes in second, then the other senses fill out the field from afar.
But why should this be? We do not live in half worlds, why should we write in them?
Just imagine if we wrote with all our senses, all the time; if we returned to our animal selves with ears up, nostrils flared, gleaning and giving information at every turn. A Victorian sitting room, for example, may be all teak and William Morris wallpaper to the eye, but perhaps it also smells of lemon oil and stale pipe tobacco, the chair by the fireplace creaking ever so gently when sat upon. This tells the reader so much more than a visual description alone. The resident has taste and a comfortable income; they take pride in their environment, keep it well. As for the lingering scent of tobacco – scent being one of the most evocative of the senses – oh, that can go a hundred ways! A father lost in the Crimea, his spirit conjured by the slightest whiff of his favorite chair; a pretentious brother who fancies himself the next Sherlock Holmes but went up to Oxford at Michaelmas.
Layers, one on another…
We are writers. Our purpose is to communicate, to move, to inspire. We take our knowledge of the world and give it back, limited only by our imaginations. So why stop with familiar? Why not go all topsy-turvy? We can focus, perhaps, not on how a city looks, but on how it tastes; not on how a thunderstorm sounds, but on how it smells. And let us not forget the rasping tongue of a whisper or the intricate fugue of a meteor shower.
As Dr. Osler said, learn to hear, to see, to smell. Dig deep; use all your senses. And next time you write about the first green shoots of spring, do not ignore their verdant voices raised to the heavens in paeans of rebirth. Welcome to the Big Picture. Have fun.
I will try to respond to messages as I am able. At times it may be in the form of a post or a direct email response. Guests who post, I will forward messages addressed to them. It is up to them how they decide to correspond. — Shawn MacKENZIE – MacKenzie’s Dragonsnest