“Even Nothing Cannot Last Forever”
Quote by Neil Gaiman
Post Created Jk the secret keeper
Illustrated by j. kiley
Post Created on May 18th 2013
Posted May 18th 2013
“I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living.” ― Dr. Seuss
“Fantasy is hardly an escape from reality. It’s a way of understanding it.” ― Lloyd Alexander
“Stories of imagination tend to upset those without one.” ― Terry Pratchett
“Fantasy is escapist, and that is its glory. If a soldier is imprisoned by the enemy, don’t we consider it his duty to escape?. . .If we value the freedom of mind and soul, if we’re partisans of liberty, then it’s our plain duty to escape, and to take as many people with us as we can!” ― J.R.R. Tolkien
“When I was your age, television was called books.” ― William Goldman, The Princess Bride
“It’s so strange how life works: You want something and you wait and wait and feel like it’s taking forever to come. Then it happens and it’s over and all you want to do is curl back up in that moment before things changed.” ― Lauren Oliver, Delirium
“Do not meddle in the affairs of wizards, for they are subtle and quick to anger.” ― J.R.R. Tolkien, The Fellowship of the Ring
“Imagination is everything. It is the preview of life’s coming attractions.” ― Albert Einstein
“I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living, It’s a way of looking at life through the wrong end of a telescope. Which is what I do, And that enables you to laugh at life’s realities.” ― Dr. Seuss
Genius or Madness?
“Up/Down” Bipolar Disorder Documentary
Post Created by Jk the SK
Illustrated by j. kiley
Created May 12th 2013
Posted May 13th 2013
Original Transcript
6 November 2012
Genius or Madness?
Professor Glenn Wilson
“Great wits are sure to madness near allied, and thin partitions do their bounds divide” (John Dryden, 1681).
“There is no great genius without a tincture of madness” (Seneca, 1st Century A.D.).
dali spider of the evening
Many great artists and scientists appear to have gone slightly mad following their lofty achievements. Isaac Newton was arguably the greatest physicist of all time, introducing the concept of gravity and making major advances in optics, mechanics and mathematics. He was also intensely suspicious and distrustful of others and in later life dabbled in alchemy and sought hidden messages in the Bible. Of course, alchemy was not thought a mad pursuit in Newton’s day and he could have been afflicted with mercury poisoning as a result of his experiments.
dali the disintegration of the persistance of memory
Beethoven and Van Gogh are also said to have gone progressively mad, though the reasons are equally debatable. Beethoven’s mania may have been due to alcoholism, syphilis, or lead poisoning (apart from his profound deafness, which would distress anyone, let alone a musician). There are theories that Van Gogh’s mood swings were caused by porphyria rather than bipolar disorder, that he lost his ear in a duel with Gauguin (claiming self-injury to maintain his friendship) and that his “suicide” was an accidental shooting by two boys playing cowboys (whom he also protected).
van gogh starry night on the rhone
For others, the genius and madness appear in parallel. Nikola Tesla was a brilliant applied scientist whose inventions rivaled those of Edison. He obtained around 300 patents in radio and electricity technologies, pioneering alternating current and hydroelectric power. However, he claimed to be in communication with other planets, to have invented “death rays” and suffered from bizarre compulsions.
van gogh bridge
John Nash, the Nobel-winning mathematician who developed “game theory” for the social sciences also suffered paranoid delusions throughout his career. He was hospitalised involuntarily and had to feign sanity to be released. He still heard the voices but learned how to live with them and not to talk about them. “I wouldn’t have had such good scientific ideas if I had thought more normally” he said.
van gogh starry night
Sometimes it is a matter of chance or social milieu that determines whether an individual is deemed brilliant or crazy. To the Counter-Reformation Church leaders, Galileo was not necessarily mad (probably just heretical) but they clearly failed to appreciate his genius and subjected him to a lifetime of house arrest. In other times and places Picasso and Einstein might have been committed to an insane asylum rather than revered for their original thinking.
moby dick – jackson pollock
Many lists of creative achievers throughout history have been compiled along with mental health symptoms and diagnostic categories retrospectively assigned to them. Unfortunately, these are mostly anecdotal, speculative and lacking in proper controls for comparison. Some have argued that the connection between genius and madness has been over-egged because of a few high-profile cases such as those described above.
virginia woolf by george charles beresford 1902
The best evidence in support of the genius-madness link comes from behaviour genetics. The close relatives of creative people are more likely to be schizophrenic and vice versa (psychotics having more creative relatives). Einstein, for example, had a son who was schizophrenic, while Bertrand Russell had many schizophrenic relatives. According to Simonton (1999), “creative hits and crazy misses” are mixed within many illustrious family pedigrees, including the Darwins, Galtons and Huxleys.
virginia woolf
The first degree relatives of creative people are actually more prone to mental disorders than creatives themselves. This is because actual illness (as opposed to its genetic predisposition) is likely to impede a creative career. The exception seems to be writers, who themselves show high rates of many behavioural disorders, including psychoses, mood disorders, substance abuse and suicide.Could the environment also be involved? Traumatic events in childhood and orphan status seem more common in those who make outstanding contributions to art and science. In a study of 700 high achievers, found that three-quarters had troubled childhoods, especially loss of a parent. The “school of hard knocks” could provide motivation and inspiration (Dickens and Chaplin come to mind here) while at the same time generating psychological disorder. However, this idea is opposite to the common-sense view that parental support and encouragement is beneficial to achievement, rather than maltreatment and deprivation. Indeed, the Goetzels found that wealth was more common in the backgrounds of famous people than poverty. And of course, pathology in the parents may be genetically transmitted to their children, thus accounting for some of the associations reported.
Virginia Woolf
Similar thought processes, such as unusual and grandiose ideas, together with a determination to promote them, seem to link genius and psychosis. Certain neurotransmitters and gene loci have been cited as common to both, including the male sex hormone testosterone, a gene relating to a growth factor involved in neural development and plasticity called neuregulin 1 (NRG1 and genes modulating dopamine transmission in the brain, e.g., DARPP-32.
virginia woolf painting
Unconventional thinking is characteristic of a constitutional personality trait called Psychoticism (P). This has many facets, including tough-mindedness, lack of empathy, impulsiveness, risk-taking, adventure-seeking, bizarre thinking, and a refusal to adhere to social norms. High levels of P predispose to psychopathy and clinical psychosis, as well as to creativity, thus accounting for the overlap between them. A good deal of research over recent decades has supported this theory. A related trait is called schizotypy. An optimum number of indicators for this relates to creative achievement, rather than full-blown schizophrenia.
kurt cobain
Dopamine function (or dysfunction?) may account for the link between genius and madness. Dopamine is the chemical messenger in the meso-limbic and cortical areas of the brain concerned with approach, reward, positive mood and achievement-seeking. Genes that modulate dopamine levels are reported to affect novelty-seeking behaviour and to relate to Impulsivity and Psychoticism. Recreational drugs that are addictive and sometimes lead to delusions and hallucinations (e.g., amphetamine psychosis) tend to raise levels of dopamine in the brain. By contrast, anti-psychotic medications are usually dopamine antagonists (this being one of the reasons why compliance is difficult). Untreated schizophrenics have more D2 receptors in the striatum and lower D2 binding in the thalamus.
kurt cobain – bipolar
Genius and psychotic are both inclined to loose associations (i.e., “thinking outside the box”). This can be observed as unusual responses on a word association test or in some of Salvador Dali’s surreal images (e.g., the Lobster-Telephone and the Mae West Lips Sofa). Such flexibility of thought seems to be increased by dopamine.
beethoven – bipolar
Another description of the schizophrenic thinking style is that it tends to be over-inclusive, with the boundaries of relevance being set more broadly. To most people, an apple falling off a tree and the movement of planets in the solar system would appear to have nothing in common, but Newton was insightful enough to connect them under the grand unifying concept of “gravity.” Of course, not all such generalisations turn out to be that useful but many great scientific theories depend upon the ability to perceive improbable connections.
carrie fisher – bipolar
Exactly how loose associations or over-inclusive thinking promote genius is unclear. If enough crazy ideas are generated, one or two might hit the target by chance alone. This approach is deliberately harnessed in “brainstorming” sessions which use random “flashcards” as a means of generating fresh ideas. Certainly, it is difficult to be creative operating within received wisdom and some of the greatest artists and composers were the “rebels” least shackled by the traditional rules of their art. However, the “shotgun” theory smacks slightly of “monkeys on typewriters”. (It would take a long time for them come up with the complete works of Shakespeare). Outstanding advances in science, like the theories of evolution and relativity, and great works of art, such as Wagner’s Ring Cycle, cannot be generated by chance alone. Profound imagination and high-level spatial intelligence is usually required in addition.
bipolar behaviour
Application to the point of “work addiction” is also often involved. Edison reckoned that genius was 1% inspiration and 99% perspiration.Most creative people are also the most productive. There is a positive correlation between quality and quantity of output, implying that each masterpiece is likely to be interspersed with much that is mediocre. (I do not ne)cessarily agree with this statement.)
marilyn monroe – bipolar
The human tendency to apophenia may be implicated in both creativity and madness. This refers to seeing meaningful patterns where they do not exist and it underlies superstition and hallucinations (e.g., seeing ghosts and hearing “voices”). This perceptual style has survival value because failing to spot a predator in the forest is a bigger (potentially fatal) mistake than seeing one where it does not exist. Exaggerated apophenia is characteristic of schizotypal individuals and is enhanced by dopamine.
ernest hemingway – bipolar
Another mental “illness” linked with creativity is bipolar mood disorder (previously called “manic-depressive psychosis”). This is characterised by extreme mood swings, occurring over a period of months, and it seems particularly to afflict artists, writers, musicians and comedians. Among highly talented people who appear to have suffered mood disorder are Peter Tchaikovsky, Robert Schumann, Vincent Van Gogh, Virginia Woolf, Spike Milligan, Paul Merton and Stephen Fry (who presented a TV documentary on bipolar disorder detailing his experiences).
winston churchill – bipolar
Genetic analysis shows links between bipolar disorder and schizophrenia. Sufferers are often tortured souls, particularly when the “Black Dog” afflicts them, and their feelings may be tapped to give greater depth and sensitivity to their art. On the other hand, the “flight of ideas” experienced in the “manic” phase of the mood cycle can result in exceptional productivity. As with the trade-off between schizophrenia and genius, bipolar disorder balances troughs with peaks in a way that might account for its evolutionary survival. Treatments are available for bipolar disorder but there is a danger that, by smoothing mood, they could impede the creative forces.
bipolar wheel
Then there are the autistic spectrum disorders (such as Asperger’s syndrome) in which a deficiency in social communication is sometimes accompanied by “savant” skills in fields like music, mathematics and spatial intelligence. In the film Rain Man (1988), Dustin Hoffman plays Raymond Babbitt an autistic whose exceptional memory is exploited by his brother to count cards in Las Vegas casinos. (This was loosely based on a real-life savant called Kim Peek, who may in fact have had a chromosome disorder). The artist Louis Wain, who became famous for his surrealistic cat paintings was hospitalised for schizophrenia, but others have argued he was actually autistic.
marilyn monroe poster
These various “disorders” can all contribute to extraordinary contributions to art and science. Some tendency to psychotic traits seems to be beneficial (thus accounting for the maintenance of such genes) but too much makes the individual disorganised and is hence detrimental. It is notable that creative artists and writers have profiles similar to those of psychotic patients on clinical scales of the Minnesota Multiphasic Personality Inventory (MMPI) but are less extreme – in fact, roughly half-way between normal controls and full-blown schizophrenics.
mel gibson – bipolar
What is the mechanism whereby schizophrenic genes promote survival? The clue may be in the behaviour of bower birds, the males of which make colourful and elaborate constructions in order to attract a female (the Taj Mahals of the bird world). Creativity has also been shown to promote mating success in men, as measured by number of sex partners. Since there is no such connection for women, it is not surprising that men’s productivity in art and science exceeds that of women by around ten times.(I don’t believe this statement about men exceed women by around ten times in productivity in art and science—more like opportunity and the continued imbalance in availability and acknowledgment).
medical cannabis for bipolar treatment
Obviously, it does not do to be totally and permanently “away with the fairies”; some measure of control needs to be maintained. Consider James Joyce and his daughter Lucia, who was being treated by Carl Jung for schizophrenia in 1934. Joyce doubted she could be schizophrenic because her thought patterns were so similar to his own. Jung disagreed, comparing father and daughter to two people who had arrived at the bottom of a river. According to Jung, James had dived there, whereas Lucia had fallen in.
“Up/Down” Bipolar Disorder Documentary FULL MOVIE (2011)This is a brilliantly made Documentary. Everyone who is Bipolar or knows someone who is or those in the Psychiatric profession and do counseling with anyone who is bipolar or anyone interested in bipolar and everyone who wants to have a knowledge of bipolar and find out what it is from what the myths are or how much people are misinformed about bipolar. A MUST SEE VIDEO. STOP THE STIGMA OF BIPOLAR AND ANY FORM OF MENTAL “ILLNESS” CREATIVITY.
“There’s a fine line between genius and insanity. I have erased this line.” ― Oscar Levant
“Genius is nothing more nor less than childhood recaptured at will.” ― Charles Baudelaire, The Painter of Modern Life and Other Essays
“No great mind has ever existed without a touch of madness.” ― Aristotle
“I’m a misunderstood genius.”
“What’s misunderstood?”
“Nobody thinks I’m a genius.”
― Bill Watterson
“Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius — and a lot of courage to move in the opposite direction.” ― E.F. Schumacher
“The public is wonderfully tolerant. It forgives everything except genius.”
― Oscar Wilde, The Artist as Critic: Critical Writings of Oscar Wilde
“The true genius shudders at incompleteness — imperfection — and usually prefers silence to saying the something which is not everything that should be said.” ― Edgar Allan Poe, Marginalia
QUOTATIONS on MADNESS:
“Sanity is a madness put to good uses.” ― George Santayana, Essential Santayana, The: Selected Writings
“So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there’s always madness. Madness is the emergency exit.” ― Alan Moore, Batman: The Killing Joke
“Human madness is oftentimes a cunning and most feline thing. When you think it fled, it may have but become transfigured into some still subtler form.” ― Herman Melville, Moby-Dick
“I don’t possess these thoughts I have — they possess me. I don’t possess these feelings I have — They obsess me.” ― Ashly Lorenzana
“The thoughts written on the walls of madhouses by their inmates might be worth publicizing.” ― Georg Christoph Lichtenberg
“Men have called me mad; but the question is not settled whether madness is or is not the loftiest intelligence — whether much that is glorious — whether all that is profound — does not spring from disease of thought — from moods of mind exalted at the expense of the general intellect. They who dream by day are cognizant of many things which escape those who only dream by night. In their gray visions they obtain glimpses of eternity, and thrill, in waking, to find that they have been upon the verge of the great secret. In snatches, they learn something of the wisdom which is of good, and more of the mere knowledge which is of evil. They penetrate, however rudderless or compassless, into the vast ocean of the ‘light ineffable’.” ― Edgar Allan Poe, Eleonora
QUOTATIONS on BIPOLAR:
“I’m the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible…” ― Elizabeth Wurtzel, Prozac Nation
“There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you’re high it’s tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one’s marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends’ faces are replaced by fear and concern. Everything previously moving with the grain is now against– you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness
“Manic-depression distorts moods and thoughts, incites dreadful behaviors, destroys the basis of rational thought, and too often erodes the desire and will to live. It is an illness that is biological in its origins, yet one that feels psychological in the experience of it, an illness that is unique in conferring advantage and pleasure, yet one that brings in its wake almost unendurable suffering and, not infrequently, suicide.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness
“Compared to bipolar’s magic, reality seems a raw deal. It’s not just the boredom that makes recovery so difficult, it’s the slow dawning pain that comes with sanity – the realization of illnesss, the humiliating scenes, the blown money and friendships and confidence. Depression seems almost inevitable. The pendulum swings back from transcendence in shards, a bloody, dangerous mess. Crazy high is better than crazy low. So we gamble, dump the pills, and stick it to the control freaks and doctors. They don’t understand, we say. They just don’t get it. They’ll never be artists.” ― David Lovelace, Scattershot: My Bipolar Family
“Depression is a painfully slow, crashing death. Mania is the other extreme, a wild roller coaster run off its tracks, an eight ball of coke cut with speed. It’s fun and it’s frightening as hell. Some patients – bipolar type I – experience both extremes; other – bipolar type II – suffer depression almost exclusively. But the “mixed state,” the mercurial churning of both high and low, is the most dangerous, the most deadly. Suicide too often results from the impulsive nature and physical speed of psychotic mania coupled with depression’s paranoid self-loathing.” ― David Lovelace, Scattershot: My Bipolar Family
“Absurdity and anti—absurdity are the two poles of creative energy.” ― Karl Lagerfeld
“Except you cannot outrun insanity, anymore than you can outrun your own shadow.” ― Alyssa Reyans, Letters from a Bipolar Mother
“Clear your energy, honor your rhythm, live your vision ” ― George Denslow, Living Out of Darkness: A Personal Journey of Embracing the Bipolar Opportunity
“They always say time changes things, but you actually have to change them yourself.” ― Andy Warhol, The Philosophy of Andy Warhol
“It has been said, ‘time heals all wounds.’ I do not agree. The wounds remain. In time, the mind, protecting its sanity, covers them with scar tissue and the pain lessens. But it is never gone.” ― Rose Kennedy
“For what it’s worth: it’s never too late or, in my case, too early to be whoever you want to be. There’s no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you’re proud of. If you find that you’re not, I hope you have the courage to start all over again.” ― Eric Roth, The Curious Case of Benjamin Button screenplay
“Time is what we want most,but what we use worst.” ― William Penn
“Time is an illusion.” ― Albert Einstein
“You may delay, but time will not.” ― Benjamin Franklin
“Time is a game played beautifully by children.” ― Heraclitus, Fragments
Silver Linings Playbook & The Stigma of Bipolar
Written by Jennifer Kiley
Film Review taken from Salon
Post Created with a short comment at the end
by jk the secret keeper
Posted 05.01.13
Bradley Cooper, star of Silver Linings Playbook, an Oscar-nominated film about a man living with bipolar disorder. His recent film is making progress toward removing the stigma of mental illness. I am changing the two words to Mentally Creative or Mentally Interesting. The medical community is trying to move away from diagnosing Bipolar or other issues with the brain as “Mental Illness.” They are Brain illnesses or diseases. They are not behavior problems or mental problems. Not should they be stigmatized. When you have the flu you treat it in order to get better. When you have Bipolar you treat it so that you have a better control of what is causing the patient to exhibit the brain illness. There are a variety of ways to treat bipolar as there are people that have that brain dis-ease. I don’t use medications with the exception of one. My thoughts are that you treat bipolar the way that is best for you. I try to work on what helps me keep it under better control. I am still new at it and not very good at following the ways that work the best. But bipolar tends to make you stubborn sometimes. That I have to work on, also. But to stigmatize anyone for having something they were born with or inherited or just woke up one day and there it is bipolar or any other brain illness. You don’t back away from someone with cancer or Parkinson’s or any other physical ailment. Well, bipolar is a physical part of you that is not functioning in a manner in which makes your life easier to live. by jk the SK
Silver Linings Playbook is a film that is a personal movie for David O’Russell and when the group all came together to do the film, it became a personal movie for all of them. Tiffany, played by Jennifer Lawrence, serves as a catalyst and she’s the first person who actually sees who Pat is. Pat is played by Bradley Cooper. That’s the thing that this film has done, people around this country who have seen this film say “this film actually sees who I am” because bipolar is heavily stigmatized, its not a very treatable disease and it’s a condition that is diagnosed way too late. So hopefully, a movie like this will help it become less stigmatized in the onset. The best thing about this movie is that it will be able to reach out and make people feel included. ~ Bradley Cooper
I watched the film last night. My reaction immediately was to think of a way to make a film, write the script for a film, where instead of the mentally creative or mentally interesting being the center and the ones stigmatized, that it wouldn’t be that way at all, instead those that are stigmatized are the folks we consider “normal,” they are the ones we feel uncomfortable around and they are the ones who are put in the outskirts of society and the ones who are stigmatized. If you think about it, those who have bipolar feel uncomfortable around people who are “normal,” those who think they are above those who have problems with the brain. Bipolar isn’t a behavior problem or a mental illness, which I find to be an offensive term. Those with bipolar have the fortunate or unfortunate DNA or the brain misfirings that cause some of the “bipolar reactions” the world has toward bipolar or any other person who is mentally interesting or mentally challenged. Why do “normal” people feel that they have any better a grasp on the truth of life on how to live it than someone who has been “blessed” with the gift of bipolar.
Bipolar is something that is extremely difficult to live with, where every moment or split second could change in your reaction to your world and the way you relate to the people around you. You can fly off the handle and lose your temper from a slight change in your environment. Is that really something to be afraid of? I don’t think so. “Normal” people have moods, also. Yes, bipolar, there are mood changes, the thoughts race around your mind because you have so many ideas firing off in your brain at any given time. Life is exciting. Creating art is a major benefit that can be quite satisfying and comes at one in a rapid firing sort of way. It can be exhilarating. But in that same split second you may find yourself triggered by something you are unaware of that pushes you close to the edge of falling into a dark hole. And most times, you aren’t going to be able to catch a hold of something that will keep you from falling in. It’s an endless fall, like in Alice In Wonderland, except she eventually reaches the bottom and there usually is light there. Bipolar, the lights have gone out.
Finding your way in the dark, when you are feeling nothing but pure tortuous emotional, physical, psychological and spiritual pain, is overwhelming and blinding. Eventually, bipolar will take you to the edge that starts the voices up that make you want to kill yourself or harm yourself. If you have found a discipline when you reach this bottom level like writing or creating art, you usually start that up immediately. And you keep writing or doing your visual arts until you create something that satisfies your opinion that you have succeeded. This may be enough to level you out temporarily and you then may be able to sleep. But even then, you turn on the Walkman with the ear buds in, so not to disturb anyone else with the loudness of your music. The loudness is so that you can only hear the sound of the music and nothing else. It doesn’t usually shut out the death march. That goes on. The thoughts haunt you but you must think them. Bipolar takes you on a journey until you fall asleep.
Hopefully by morning the feelings are under control. Of course, that sleep may take you to 15 or more hours from when you close your eyes. It’s the only way to get back on track. Most likely you haven’t had any sleep in the past day or two. The benefits are that you may not go down that road of bipolar. If you are fortunate you may go down the high one where what you create makes you feel giddy and everything is delightful and light and the demons are sleeping, which means they are leaving you alone. In that bipolar world everything is happy and you laugh and you want the classical or light music to play and you want to create the uplifting poems or stories or art. You want to keep doing projects, to keep creating. So why is the world so afraid of that.
Being mentally creative or interesting isn’t contagious and bipolar people as a rule could care less about harming anyone else except maybe themselves depending on the mood. The mentally creative have been given a stigmatic bum’s rap for the violence of those who take guns and go off on the innocent of the world. Those people are not doing that because they have a brain disease, they are doing that because they are violent individuals or groups that hate themselves and the people that are in their world. Bipolar tends to want to just take care of themselves and stay away from people that judge them. They may yell suddenly and then settle down and forget about it and may want to throw things when they get frustrated but mostly they don’t have any thoughts of hurting anyone and if they get into a down spiral it is usually themselves they are wanting to harm.
So stigma is all in the mind of those who are afraid of people being real and usually afraid of themselves being real. The “normal” people don’t want their reality being touched by anything that might resemble the actual behavior of someone who is alive in any way that might make them have to have a real thought or feeling. I don’t think “normal” people know what they are. Aren’t they usually following the latest dogmatic leader that tells them how to think and how to feel about someone they don’t like. And what about all those people that don’t want to make the rich pay their fair share of taxes because in their “normal” brains they think that it might be them someday who is rich and when they get there they don’t want to have to pay high taxes. I would say the “normal” are the ones who are a bit deluded and can’t think for themselves. And the ones who are bipolar or any other mentally creative individual are the free thinkers and the ones who don’t judge and the ones who want to help support the world and all the people in it.
Maybe it is about time to take a closer look at who the good guys are and who are the ones fucking up the world. And it’s about time to stop stigmatizing and showing people with mentally creative brains as a threat to the safety of society and to see them as contributors in the way of artists and those with original ideas who will move the society and culture forward. Yes, we may get off the path every so often but doesn’t everyone need to do a walk about now and again. Stop judging everyone and start co-existing in peace. Accept difference don’t try to make everyone identical to who you are.
by Jennifer Kiley
HERE IS A REVIEW FROM SALON FOR THE FILM: SILVER LININGS PLAYBOOK
Friday, Nov 16, 2012 01:01 PM EST
“Silver Linings Playbook” is gold
Bradley Cooper and Jennifer Lawrence face love and mental illness in the rich, manic new romantic comedy
By Andrew O’Hehir
We get thrown right into the middle of Pat Solitano Jr.’s troubled life story, without any of the usual context or background. Played by Bradley Cooper in a major departure from his customary sleek pretty-boy roles, Pat is the unhinged, overly intense and not always likable protagonist of David O. Russell’s manic, inventive and rewarding “Silver Linings Playbook.” When we first meet him, he’s standing in the corner of his spartan room in a Baltimore mental hospital, talking to himself. His mom, played by the terrific Australian actress Jacki Weaver, has shown up from Philadelphia to sign him out, against doctor’s orders and without having consulted her husband. What did Pat do that got him locked up in the first place? What’s going on with this family? Why do Pat’s wife and the school where he used to teach have restraining orders against him?
Answers to those questions won’t come into focus for a while, although you may rapidly reach the conclusion that the doctors were right and Pat would be better off heavily medicated and under psychiatric care. Back in the family’s Philly neighborhood, with its slightly desperate upper-fringe-of-the-working-class feeling, Pat Sr. (Robert De Niro) has no idea his younger son is returning home. One of the best and unarguably funniest roles of De Niro’s recent oddball supporting career, Pat Sr. fronts as an Italian-American tough guy but is more like a barely glued together mass of neuroses, a failing bookie with a penchant for disastrous side bets and an intense OCD relationship with the Philadelphia Eagles. (His wardrobe gets better and better as the movie progresses; I can’t stand football, but I want Pat Sr.’s Eagles-green cardigan.)
As for Pat Jr., whose apparel frequently involves a shapeless gray track suit topped with a black garbage bag – so he can sweat off weight as he runs – his first item of business is studying up on the high-school English syllabus his estranged wife, Nikki, is teaching, in hopes of impressing her at some unspecified future date. (Nikki plays an important role in Pat’s story, but almost entirely through her absence.) This leads, however, to Pat flinging a copy of “A Farewell to Arms” through a closed window at 4 o’clock in the morning, and awakening his parents with a maniacal rant against Ernest Hemingway. (He refuses to apologize, blaming Hemingway. Pat Sr. says, rather mildly, “Tell Ernest Hemingway to come down here and apologize to us in person.”) I can’t help detecting a genre commentary of sorts here, whether it originates with Russell (who also wrote the script) or Matthew Quick, author of the original novel: Hemingway was writing one kind of story, which purports to depict the tragedies of the real world in the 20th century and does not demand a happy ending. This is the other kind of story.
In fact, “Silver Linings Playbook” is a romantic comedy, even if it doesn’t feel like one at first. Furthermore, it’s a rom-com that succeeds in revitalizing that discredited genre where so many others have failed, injecting it with the grit and emotion of realist drama rather than with amped-up whimsy or social satire or montages of people walking on the beach while whiny emo-pop plays on the soundtrack. As he did with the boxing movie in “The Fighter,” Russell proves that you can breathe new life into one of the hoariest forms in the Hollywood lexicon. He takes a movie where everyone in the audience knows how it will end and makes us suspend our disbelief and fall in love all over again. (After an entire decade in the indie-film wilderness following his 1999 breakthrough with “Three Kings,” Russell seems to have found himself a niche reinventing classic movie genres.)
It helps, of course, that we’ve got a dynamite couple to fall in love with. Russell has long had a flair for unexpected casting combinations, but I really didn’t expect Cooper and Jennifer Lawrence to be such a combustible duo. (Yes, in real life, there’s a significant age spread between these two: Cooper is 37 and Lawrence 22. At the risk of sounding like a total sexist pig, it doesn’t play that way on-screen.) Finally getting unleashed from his immensely lucrative “Hangover” roles and a series of tepid leading-man movies, Cooper gives a twitchy, physical, marvelously alive performance as Pat Jr., who’s barely aware how poor his impulse control is and doesn’t seem to notice that his face is often marred with mysterious scars and bruises. As for Lawrence, she’s been in so many movies lately that she’s in danger of being overexposed but I only wish her chaste and cautious performance as Katniss Everdeen had one-third of the fire she shows here as Tiffany, a grieving widow going through a spectacular meltdown of her own.
There have been dozens if not hundreds of other movies about two damaged people who find each other, and quite a few that try to wring bittersweet laughs out of the painful struggle with mental illness. But it’s always wonderfully satisfying to see a conventional or archetypal story structure handled with this level of craft and enthusiasm. “Silver Linings Playbook” never feels like a movie you’ve seen before, even if Pat and Tiffany’s ultimate destination is clear the moment they meet. It seems clear to us, of course, but not to them; Tiffany assumes he’ll just be another entry on her long list of recent sexual partners, while Pat clings like a drowning man to the idea that his marriage to the invisible Nikki – which ended in an act of disturbing violence, as we eventually learn – can still be redeemed.
During Tiffany and Pat’s disastrous first date (which Pat insists isn’t a date, because he’s getting back together with Nikki any day now) they eat Raisin Bran at a diner while she regales him with steamy tales about sleeping with all her co-workers (male and female) at her last job. Pat isn’t literally wearing his garbage bag in that scene, but he might as well be. All the crockery ends up on the floor, along with the remnants of Raisin Bran, and we’re left with the realization that these two people are falling in love but may be too screwed-up to deal with it – a phenomenon that afflicts many of us at one time or another, from you and me to David Petraeus and that lady with the upper arms.
There’s no point denying that “Silver Linings Playbook” is shameless cornpone, given that the bumpy course of Pat and Tiffany’s romance includes such elements as a ballroom dancing competition, a crucial showdown between the Eagles and the Dallas Cowboys and a parlay bet orchestrated by Pat Sr. that links the two. Not to mention a deceptive epistolary exchange straight out of classic French theater. But where most American romantic comedies are either made by talentless hacks or by Hollywood pros who can barely conceal their contempt for the material and the audience, this one was made by a leading American director at the height of his powers who’s paying attention to every emotional beat, every cut and every frame. Great cinema? Hell, I don’t know. But one of the most satisfying movies, that much is for sure.
ADDED NOTE BY jk the secret keeper: I need to watch the film again. Somewhere in the middle I thought the film was over and dropped off and came back before the film was over. So I watched the beginning and the end but missed the middle. My partner, Shawn, thought the film was great. What I saw I agree with her. Make a lot of noise in the middle of the night. So you get woken up by someone yelling and he happens to be bipolar. I don’t think that’s enough to threaten to someone that their behavior is going to get them thrown back into the institution. Only in America does one live under that threat if one is not strictly staying in between the lines. Freedom is another word for nothing left to shout about. SINCE WHEN. THERE ARE LOTS OF THINGS TO SHOUT ABOUT. Why do we have to be quiet to keep ourselves from being locked away. I do realize, and I am not going to give away a spoiler, that the main character has done something that makes the law question his behavior more carefully but the extreme I think everyone takes it seems too extreme to me and especially in society those who are different in their brain and act differently. These are not the dark ages and those with brain problems don’t deserve to be treated as lesser citizens. GO RENT THIS FILM. IT IS A QUIRKY ROMANTIC COMEDY. THE ACTORS ARE BRILLIANT. JENNIFER LAWRENCE DESERVED HER ACADEMY AWARD AND IT DESERVED TO BE NOMINATED FOR BEST PICTURE AT THE ACADEMY AWARDS. jk the secret keeper
“If I can’t feel, if I can’t move, if I can’t think, and I can’t care, then what conceivable point is there in living?” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness
“When you are mad, mad like this, you don’t know it. Reality is what you see. When what you see shifts, departing from anyone else’s reality, it’s still reality to you.” ― Marya Hornbacher, Madness: A Bipolar Life
“Creativity is closely associated with bipolar disorder. This condition is unique . Many famous historical figures and artists have had this. Yet they have led a full life and contributed so much to the society and world at large. See, you have a gift. People with bipolar disorder are very very sensitive. Much more than ordinary people. They are able to experience emotions in a very deep and intense way. It gives them a very different perspective of the world. It is not that they lose touch with reality. But the feelings of extreme intensity are manifested in creative things. They pour their emotions into either writing or whatever field they have chosen” ― Preeti Shenoy, Life is What You Make It
“It was as if my father had given me, by way of temperament, an impossibly wild, dark, and unbroken horse. It was a horse without a name, and a horse with no experience of a bit between its teeth. My mother taught me to gentle it; gave me the discipline and love to break it; and- as Alexander had known so intuitively with Bucephalus- she understood, and taught me, that the beast was best handled by turning it toward the sun.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness
“Manic-depression distorts moods and thoughts, incites dreadful behaviors, destroys the basis of rational thought, and too often erodes the desire and will to live. It is an illness that is biological in its origins, yet one that feels psychological in the experience of it, an illness that is unique in conferring advantage and pleasure, yet one that brings in its wake almost unendurable suffering and, not infrequently, suicide.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness
“Depression is a painfully slow, crashing death. Mania is the other extreme, a wild roller coaster run off its tracks, an eight ball of coke cut with speed. It’s fun and it’s frightening as hell. Some patients – bipolar type I – experience both extremes; other – bipolar type II – suffer depression almost exclusively. But the “mixed state,” the mercurial churning of both high and low, is the most dangerous, the most deadly. Suicide too often results from the impulsive nature and physical speed of psychotic mania coupled with depression’s paranoid self-loathing.” ― David Lovelace, Scattershot: My Bipolar Family
“Compared to bipolar’s magic, reality seems a raw deal. It’s not just the boredom that makes recovery so difficult, it’s the slow dawning pain that comes with sanity – the realization of illnesss, the humiliating scenes, the blown money and friendships and confidence. Depression seems almost inevitable. The pendulum swings back from transcendence in shards, a bloody, dangerous mess. Crazy high is better than crazy low. So we gamble, dump the pills, and stick it to the control freaks and doctors. They don’t understand, we say. They just don’t get it. They’ll never be artists.” ― David Lovelace, Scattershot: My Bipolar Family
“Crazy isn’t a condition it’s a place and it exists somewhere between Love and Oblivion” ― Stanley Victor Paskavich
I must bring this to your immediate attention. Last week, when I wrote to you in our usual letter, I included a poem. It was a raw and painful poem to write. I would really like to discuss some of it with you in this letter. I hope you don’t mind. It has been making me feel rather vulnerable, even though I haven’t sent you the letter yet. Someday, any day, might be when I do get brave enough and really write these letters with the direct expectation of mailing them to you or handing them to you in person. The second way would make me feel more assured that you received the letters personally and no one else touched them or might accidentally open them. I don’t think anyone at the counseling center would ever do something like that intentionally. But these are very private letters meant for your eyes only. Just thinking about discussing the poem I wrote is making me feel rather anxious. In fact, I feel like I am starting to have a panic attack. Let me take a Klonopin before we continue. After that I will post the poem and the paragraph that followed it. I want to discuss that along with the poem. I’ll be right back.
Here I am, back really quickly. It will only take about 15 minutes for the med to take effect. Well, here goes, this is the poem once again appearing in one of my letters I am writing to only you. If I ever give these letters to you, I must have your word that you will never ever show these to anyone else. No one must know what I am telling you. These have to be our secret. If you only knew how I feel inside.
How do I really feel about you Annie? Right now, I have no idea. Too afraid to go inside to find out what I truly feel. The whole of the world confounds me. It just makes me feel depressed. It just feels that I can’t hold onto the people I love. They just tend to die. It’s not like they’re even old. When you die in your twenties, I would call that dying “Forever Young.” Too many die FY. You’re not going to do that, are you Annie?
What do you think of my poem? If you read it now, how would you decipher it? I’ll play both of us. You go first, or should I? Let me pull out the first three lines. The writer, the lover, the thinker: isn’t something missing? Whose feeling anything? The lover is just sexual. You can do that without any feelings at all. The writer is mental but could be emotional with the words they are expressing. But I don’t think so. It’s cerebral. The thinker, existential separation anxiety filled with analytical theorizing until infinity gets exhausted.
Someone is missing. Someone who connects in a soulful way with people or animals. Who is that? Lets think about it. Send out feelings to find out who they are? You think a spiritualist. I thought I was one of those people. I believe in the spirit, the soul, the astral body, the separation from the physical. The soul is just carrying the weight of the body while its heart beats and air fills its lungs and the grey matter still is able to function to make the physical tissues of the body perform.
I was thinking tonight about Heaven Annie. As I made it up the stairs to bed and my cat always raced up the stairs before me. We play that game every night. I make believe I’m going to beat him tonight. It’s always the challenge. There’s no way in Hell that I can ever beat him. But he loves the game. You want to know his name? He goes by many. He has such a magnificent personality. We call him Sparky because he sparks like fireworks. It’s not his official name. That one is proper. We named him Higgins after the character in the great Broadway play Pygmalion. He responds to anything but Higgins and he rather prefers being called Sparky.
What the Hell are we talking about? Is it about making it through with some enjoyment and to try to forget about all the nightmares? Or are we suppose to face the nightmares? The soul tells me that we have to or we won’t make it. I have too many. How about you? What are your bad dreams? What tried to fuck you up? Any bad people in your dreams? You seem pretty together but anyone can put a mask on. Why do you suppose we all try to hide from everyone? We are all human. Our feelings fall somewhere into the human category. Are we afraid people will think we are crazy or too weird?
Back to the poem, the next three lines are pretty explosive. Feeling the fool for not hearing, the silence for not screaming and feelings trying to blow the whole thing wide open but being stopped somehow. What stopped me? You probably would like to know that. A good reason, how about one of the abusers threatened to kill me right at the moment I told him if he didn’t stop I would go to the police. Wrong thing to say to a nasty, mean pedophile. He tried to kill me but he stopped at just making me feel he was going to crush my head into stones like Stonehenge. He pulled back but not until he told me he would not only kill me but my whole family. Those other people who also abused me. For some reason I felt I needed to protect them. I didn’t care if he killed me. My life was ruined. They all in combination destroyed who I am. They crushed my life. I am dead. My spirit has been stolen from me. It’s like in Peter Pan, they stole my shadow, my reflection. I don’t have one any longer. I am invisible. That’s why no one can see me. Why I never get noticed except when someone wants to hurt me or make me feel more pain so that I really do want to be invisible. I just wanted to die.
The only reason I stayed alive was I loved my grandmother. The funny thing about it all, my grandma, she had an accident shortly after this and went into the hospital. She never went home again. I saw her once at the hospital. I climbed into her hospital bed with her. Under the oxygen tent, we hugged. I held her so close. Her arms used her strength, as much as she could and held me close. Then it was time to go. I gave a bunch of kisses to say goodbye to her. I didn’t know I would never see her alive again.
She died in protest. They wanted her to become one of the forgotten. She wasn’t going to let them do that to her. She told them that it was something she would never do, going to a nursing home. She stopped her breathing and her heart from beating. She left me behind. I stopped living when she stopped, too.
“The feelings trying to explode…Where was the awareness?” I was clueless on what or who to, if anyone, to talk to. I never talked to anyone back then. Words were not my companion when spoken out loud. Not something I even knew how to do. Didn’t know how. Had no practice. What would have been the right words to say anyway? I didn’t know them to say or to even write down on paper. I am only learning now how to connect my words with feeling.
“We say ‘Welcome to the surface.’ It should have been Welcome to the circus. “Now what needs to be done?” We need to find someone new that we can really talk to. Someone who will listen and really hear what we are saying. Not judge us. Try to understand. And not constantly criticize us and try to put us down. Diminish who we are. That’s been done all our life except in college. For some reason I mattered when I was in college. I felt important and wanted. The same happened when I was part of the Women’s Center when I lived in Connecticut. It’s not so much I want to feel important. I just want to feel like I matter. Everyone I think needs to feel important in some way.
“Releasing the energy ensnared for decades amongst twisted webs…” I have been so blocked. My thoughts and feelings didn’t have an outlet. And I didn’t know how to say the words. I was made my own prisoner eventually, out of fear. Demons possessed me with fear. All the demons from all the years of abuse and made to feel like I was nothing, a nobody that had no worth or purpose.
“The voice is seeking freedom but holding onto multiple secrets.” We have a central voice but we also have multiple voices. With all the alters, we have to listen to all their voices and all the needs they tell us that they have. It’s hard to keep track or remember. It is really confusing inside our head sometimes. But we were working with a woman therapist who had her moments of quality therapy but she had her problems. I have an obsessive alter who was in love with her and obsessed with her. Let’s call it quite dependent. We were attached. We needed her. She was the first therapist that figured out what was going on inside our head. She figured out the DID. I have to admit when she told us we has other personalities, it really freaked us out. Kind of went into shock and some heavy denial. No way could that be possible. She said the psychiatrist agreed with her after he tested me.
That was the big secret. We thought realizing we were Gay was enough of a shock but being MPD was more difficult. Coming out of that closet was worst. It took us a while before we could tell Scottie and we had been together for a long time at that point. Almost 15 years. When I found the courage to tell her, her reaction was: “Oh, I already knew.” I asked her why she didn’t tell me. “Because you needed to figure that out yourself.” Of course, she was right. It wasn’t easy. Like I usually do, I bought or borrowed every book I could find on the subject of MPD. I learned it all. Enough to get a degree.
There is so much more to discuss in this poem. I packed it with a great deal of exposure of my past. I need a break. I may try to answer more of the points in this letter or carry it over to the next letter.
It’s a list of some of the confusion that smashed into our life. It started when we were really little and didn’t stop. The abuse continued when we were adults. No was the word that meant nothing to anyone who wanted something from us. Our body betrayed us. We couldn’t stop anyone from forcing us. Some didn’t even realize they were forcing us but they were. If we shut down inside we became frozen. We couldn’t stop what was happening. This started when we were little and continued into our adult relationships. It was all on some degree of force. We weren’t there in our bodies. We left or went deep inside or floated on the ceiling until it was over.
It wasn’t consensual. It was a form of rape and abuse. We wanted love but not sex. We didn’t want to be sexually aroused because it would always end with us disappearing and our bodies would shut down. It was like turning the keys off in a car. The engine would stop running and so would we. Eventually we created an outside person, a human robot, who faked our life like a computer. She would accumulate data. And learned the expected behavior and that would be hos she would perform. We were safe inside while she was out there living a fake life as a fake person. A puppet represented us. She hid in plain sight. No one would find us with the puppet self having a controlled pattern of behavior, always asking questions to improve her performance do she wouldn’t be detected.
Our hiding place was discovered by this woman therapist. She saw through the facade. She was tricky and scary to us. She got to close. We started to care too much. She opened up the rawness in us. She made us need people. Specifically, she made us need her too desperately. We felt so close to her. But more like the fox in Le Petite Prince by Antoine de St. Exupery. She tamed part of our wildness. She made us want to be loved by her. Being loved and wanting to love in return puts such a control on you. I began to develop an overwhelming need for her. It was driving me mad. Everything started falling apart. My life felt out of control.
Our hiding place was revealed. There was no place to go except into madness and wanting to commit suicide. Suicide has always been a part of our life. It is a part of our breathing. It is always an alternative to the divine madness. We can escape that way any time we chose. But it is not an answer we can choose. Not with all that we are responsible for. Our life needs us to be in it. Everything has changed. We are learning to begin to live. We have found a purpose. It is delicate and sometimes difficult to balance but we are giving our new life all that we are able to give it. We know and are learning what we are able to do. We are able to write. We are able to be creative. Our artistic nature is starting to blossom. We are letting it be free. It likes that. It feels like are trusted to let the muse guide us. She always seems to be when we need her. We don’t push it. We let it be a natural flow. We like, no we love where we are now. It does have its difficulties with the mentally creative activities that bombard our brain. But we work hard on that more with our doc then with Mr. Xxx. He is about as helpful as a dead skeleton. His sense of warmth and communication I’d to tell stories that do not at all relate to what I am feeling or going through. He doesn’t help me at all except to give me reasons to escape my life. He lets me run away. I know I have my weaknesses but I need to find my life before I die or I kill myself because I can’t live with the confusion any longer or the depressions or rage.
I want to say that I am here and I want to stay alive. We want to be here. We choose life.
We fought through them trying to destroy us. They didn’t succeed. We are still alive. No matter how many battles. No matter how many nights we have to fight to make it alive til morning gets here. Therapy, knowing my psychoanalyst is there is so reassuring. It means at least one person is out there in our Universe that knows we are alive. That we exist. Being alive is a higher grade than just existing. The artist that lives inside of us makes it all matter. Otherwise, nothing else matters. If I didn’t have my art, my animals, the women I love and the men who are decent that I love. A good home and family who I love and who love me. The special people who know who they are. They are part of what make this life I live matter. But that involves some major time tripping. I am having visions of a future in my life, but I must be patient and wait for that time to happen. It is a good sign that I make it to that future. Others do not.
Here in 2007 I have you Annie. I am focusing on that. Your presence is beginning to mean something more to me than I even understand at this moment. We will see where that takes us.
Until next time.
Regards,
MadisonI attach this to the letters I write to you Annie to assure the strictest of confidence.
To Annie,
At this moment I am not trying to be a coward, but I feel if I hold back now or never send this to you, then I am freeing myself up to write whatever I wish without need of censorship. Maybe someday, when I am feeling more familiar with just who you are and what you might mean to me, this parameter will be altered and a copy of this and future letters will be relayed to you. For now I want to maintain secrecy, to protect you, Annie, and to protect myself from over testing the boundaries between us and to record the development of our relationship.
I want Annie Haskell to trust me. I want you to know I am trying to protect you and also myself from any humiliation. Writing to you in this way frees up my words as I speak them onto the page. Some future date, if I feel trusting enough, I will release to you what I have written in honesty. Right now, I will keep my words confidential. On my honour, no others shall see these pages, I promise you that.
Regards,
Madison Taylor
Madison Tayler’s Fantasy of Annie Haskell’s Office as a Psychoanalyst. Not real.
the labyrinth called “wandering wonderland.” it is where madison, scottie and their cats, patrick, sparky and toker love to escape to
madison’s “woods of imagination” where she takes long walks to reflect. it starts just past the labyrinth
QUOTATIONS from: LETTERS of IMPORT: Private Writings to a Psychoanalyst
“A Dream
The beginning always starts out with a dream.
It is all a dream
And we are all players
In our own nightmares”
— Madison Taylor
“For that fine madness still he did retain,
Which rightly should possess a poet’s brain.”
~Michael Drayton~
(1563-1631)
“Who ever loved that loved not at first sight?”
Christopher Marlowe for “Hero and Leander”
“A therapeutic relationship is often more psycho-emotionally intimate than a marriage, or a romantic attachment. I know things about my patients that they would never dream of revealing to their spouses or families. Why is that? One word — trust. If you do not have a connection with a therapist, you cannot trust them. If you do not have trust, you will not expose yourself, and if you do not expose your innermost being, what good is the therapy?” — unknown but ask any great therapist
“Men have called me mad, but the question is not yet settled, whether madness is or is not the loftiest intelligence…whether much that is glorious–whether all that is profound–does not spring from disease of thought…” — Edgar Allan PoeQUOTATIONS on LIVING:
“There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive. This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame…” — Jack London
“There are two kinds of people. One kind…they congealed into their final selves…you can expect no more surprises from them…the other kind keep moving, changing… They are fluid. They keep moving forward and making new trysts with life, and the motion of it keeps them young. In my opinion, they are the only people who are still alive…” ― Gail Godwin
End of the Raven
Parody of Edgar Allen Poe’s The Raven
By Edgar Allen Poe’s Cat
Post Created & Illustrated by jk the SK
Created 04.29.13
Posted 04.29.13
critical thinker by j. kiley
nevermind
end of the raven poster by j. kiley copyright jennifer kiley 2013
“Hey,” said Shadow. “Huginn or Muninn, or whoever you are.”
The bird turned, head tipped, suspiciously, on one side, and it stared at him with bright eyes.
“Say ‘Nevermore,’” said Shadow.
“Fuck you,” said the raven.”
― Neil Gaiman, American Gods
“Hell, if someone wrote a book about you, well, it’d sell a million copies the day it was released. And if someone else was clever enough to write a parody – you know, to provide some comic relief during these extremely difficult economic times – that would probably be an even bigger seller, or at least it should be. So, just come clean with me, Ed. Your secret’s safe with me, and whoever reads my internet blog. You…are…a…vampire!” ― Stephen Jenner, Twilite: A Parody
“[R]aging crime, class warfare, invasive immigrants, light morals, public misbehavior. Always we convince ourselves that the parade of unwelcome and despised is a new phenomenon, which is why the phrase “the good old days” has passed from cliché to self-parody.” ― Anna Quindlen, Imagined London: A Tour of the World’s Greatest Fictional City
“Most times, my mind is just an ongoing, present-tense, first-person monologue. It’s like I’m writing a novel, constantly, but only in my brain.” ― Andrew Shaffer
“How much truth is contained in something can be best determined by making it thoroughly laughable and then watching to see how much joking around it can take. For truth is a matter that can withstand mockery, that is freshened by any ironic gesture directed at it. Whatever cannot withstand satire is false.” ― Peter Sloterdijk, Critique Of Cynical Reason
“If smart people are parodying it, that’s a sure sign that some less smart people are believing it.” ― David Levithan, Every Day
Happy 4/20 Legalize It!
FREE MEDICINAL CANNABIS / MARIJUANA TREATMENTS
Created by jk the secret keeper
Created & 04/20/2013
California Time Posted 4/20/13
EDT Posted 4.21.13
“Herb is the healing of a nation, alcohol is the destruction.” ― Bob Marley
“When you smoke the herb, it reveals you to yourself.” ― Bob Marley
“Some of my finest hours have been spent on my back veranda, smoking hemp and observing as far as my eye can see.” Thomas Jefferson
“Why is marijuana against the law? It grows naturally upon our planet. Doesn’t the idea of making nature against the law seem to you a bit . . . unnatural?” ― Bill Hicks
“We all need something to help us unwind at the end of the day. You might have a glass of wine, or a joint, or a big delicious blob of heroin to silence your silly brainbox of its witterings but there has to be some form of punctuation, or life just seems utterly relentless.” ― Russell Brand, My Booky Wook
“Federal and state laws (should) be changed to no longer make it a crime to possess marijuana for private use.” — Richard M. Nixon
One Must Be A Seer
Created By Jennifer Kiley
Rewritten Material by J. Kiley
Illustrated by j. kiley
Created 04.20.13
Posted 04.20.13
I am borrowing the following poem by Arthur Rimbaud from a post I reblogged from on the plum tree. The following is an excerpt from the first post of the series, written by Niamh Clune: “Each Wednesday, I want to feature a rotation of different poets/writers writing about poetry…why they like a particular poem, new discoveries, (could be you) a little analysis.” Something to look forward to every Wednesday.
Now I present the poem that I could not resist. And I include a revised version of my comment. If you wish to see the post and comments in full go to Wednesday On The Plum Tree: In the Sandbox with Dr. Ampat Koshy. The post is brilliant and there is much to learn. I have added a few more intriguing aspects of Arthur Rimbaud’s life and something he wrote in a letter which should captivate your interest, I hope. This started out being a short posting of a poem from a poet I did not know very well but knew of and I had no idea what I would uncover from investigating his life. Find out what I discovered. I really would have enjoyed his company even during those difficult years or should I say especially during those difficult years.
First written on: April 17, 2013 (rewritten April 19th, 2013)
What a beautiful poem with what appears to me as a solemn ending. Such description, so alive and flowing smoothly off the tongue in the reading of them out loud. Rimbaud has conveyed to us such a peaceful image surrounded by natures beauty. Fully expecting the tranquility to be a story told of the living, for that is what surrounds the soldier. But as I stated, the ending is sad. The napping is permanent. The feelings elicited from the poem are delightful until the reader approaches toward the end. Then one is overcome with the unexpected and brought into a reality not predicted at the start.
This is a perfect choice to begin instructions. To be able to write in this way one needs to hone one’s ability of perceiving more closely one’s surroundings and be able to describe them in a more than ordinary way. I am impressed. To write like Arthur Rimbaud would be a great feat. Adjectives are not always my strongest area. This poem by Rimbaud has been revealing and given me something to work on. I am moved by the words of Arthur Rimbaud.
I am into writing for the purpose of making films but of another kind, not that of using poetry but of the use of a written script of dialogue. But I can only see using poetry in a film if one were doing what some would call a poetry slam and wanted to engage the body in the rhythm of the words as they were being created and spoken simultaneously.
But that is a different medium than the art of writing the words down for the purpose of an individual experience that you may or may not share in a reading or posting where other can observe and read your works. I like to hear what poetry I have written out loud, usually to myself, to hear how it sounds and to pick up on the rhythms and sometimes rhymes of the lines as they are spoken.
But I like writing of most any kind. Using words to express what I have ruminating in my mind. It is important to me to convey those words onto a surface so they can be read. Hopefully, the words will mean something and carry some significance, if only to myself. I encourage anyone to write who feels it in their soul or to express their soul through any form of art they feel most drawn into. Just express yourself. It is essential. It is LIFE. jk the secret keeper
“When you walk to the edge of all the light you have and take that first step into the darkness of the unknown, you must believe that one of two things will happen. There will be something solid for you to stand upon or you will be taught to fly.” ― Patrick Overton
“One is never afraid of the unknown; one is afraid of the known coming to an end.” ― Jiddu Krishnamurti
“A single event can awaken within us a stranger totally unknown to us. To live is to be slowly born.” ― Antoine de Saint-Exupéry
“The dark dangerous forest is still there, my friends. Beyond the space of the astronauts and the astronomers, beyond the dark, tangled regions of Freudian and Jungian psychiatry, beyond the dubious psi-realms of Dr. Rhine, beyond the areas policed by the commissars and priests and motivations-research men, far, far beyond the mad, beat, half-hysterical laughter… the utterly unknown still is and the eerie and ghostly lurk, as much wrapped in mystery as ever.” ― Fritz Leiber
“That illusion of a world so shaped that it echoes every groan, of human beings so tied together by common needs and fears that a twitch at one wrist jerks another, where however strange your experience other people have had it too, where however far you travel in your own mind someone has been there before you – - is all an illusion. We do not know our own souls, let alone the souls of others. Human beings do not go hand in hand the whole stretch of the way. There is a virgin forest in each; a snowfield where even the print of birds’ feet is unknown. Here we go alone, and like it better so. Always to have sympathy, always to be accompanied, always to be understood would be intolerable.” ― Virginia Woolf, On Being Ill
“Progress had not invaded, science had not enlightened, the little hamlet of Pieuvrot, in Brittany. They were a simple, ignorant, superstitious set who lived there, and the luxuries of civilization were known to them as little as its learning. They toiled hard all the week on the ungrateful soil that yielded them but a bare subsistence in return; they went regularly to mass in the little rock-set chapel on Sundays and saint’s days; believed implicitly all that monsieur le cure said to them, and many things which he did not say; and they took all the unknown, not as magnificent but as diabolical” ― Eliza Lynn Linton
“Even just seconds ahead is unknown; even just seconds after is open to infinite possibilities.” ― Mehmet Murat ildan
Dark Night of the Soul
By Jennifer Kiley
Inspired By Reading
Abstract Digital Art j. kiley
Written 04.18.14
dark night of the soul — abstract digital art
Dark Night of the Soul
By Jennifer Kiley
Inspired By Reading
Written 04.18.14
Those of you who have heard of the dark night of the soul know the kind of pain and confusion it can bring. It used to be used to describe a spiritual crisis. Now it describes a psychological darkness. Here is a description of a major symptom to describe what it is: to feel one no longer has a grasp or sense of the realness of the ground beneath one’s feet. It doesn’t feel solid, nor does it feel like it has a strong basis in reality.
Something in one’s present day happens and causes it to trigger thoughts from the unconscious that draws the dark night into “the light.” Carl Jung thought the psyche was causing this to happen. That the symbols or images or flashes that were coming from the unconscious were being brought to the surface in order to help an individual grow. A direct form of Enlightenment would occur which is when the unconscious becomes conscious. The dark night, though appearing to be a negative force is actually aiding in this occurrence.
“Creative suffering burns clean; neurotic suffering creates more soot.” The Jungian analyst Marion Woodman wrote this. Her meaning is that repeating pain in a non-productive way does not create one’s healing or move one forward. One needs to go deep within the source of the center to that power where the emotions are hiding and/ or existing. Doing this should bring to one a self-understanding and with a great deal of work, it should lead eventually to liberation of the self. But one needs to first do the difficult work of fighting with one’s demons and angels. They will bring with them the healing that one will be needing. It’s a difficult fight and it is a spiritual and psychological fight. When one is looking for one’s spiritual reality, it is a necessary fight to find one’s meaning.
Dark nights are meant to happen in order to tear apart the ways in which we deal with reality and our own growing. We must be forced to let go of our illusions and/or our delusions that have been controlling our thinking, our way of behaving and how we are able to express our feelings. This is essential in order to regain control of our self and the way that we behave in our life.
It enables us to find our real self and release our great need for control. The most difficult part is our needing to tear down how we learned to deal when we were children. We need to release all of the built up anxiety and our sense of overwhelming vulnerability that kept us from functioning then and keeps us from functioning now. We must always remain connected to our self while we construct our new way of being in our new lives, where we are going to be more real. And most importantly we must give up the need to always be in control. That is an important one. The bonus that comes with doing all of this is that we will be getting into an upgrade of an automatic elevator to a higher level of consciousness.
So you see, sometimes we have to enter into hell to find our way out of it. And gradually we will lose the negative aspects of our lives and find in their place courage, strength and self-love. And most importantly finding freedom and get on into growing. We will start feeling a more secure sense of well-being that will keep expanding. This may feel like just words and a dream but it can happen.
When one’s life begins in such a dark atmosphere and one is alone in that darkness, all that is felt is fear and dread, so what is left to remember is shaped into a memory overflowing with fear.
It’s time to let that fear and that past go and to reawaken the child who is buried deep inside, who wants her freedom to begin to live again, to cry again, to laugh again, to stop feeling overwhelmed by the positive feelings of life like love, caring, joy, belonging and more, to allow her to have healthy relationships that are not messed up with demons of the past filling her mind with senseless fears of abandonment, punishment and abuse. It really is time to let all of it go and just leave it back there in the past, in that time which should no longer exist now.
“If we never experience the chill of a dark winter, it is very unlikely that we will ever cherish the warmth of a bright summer’s day. Nothing stimulates our appetite for the simple joys of life more than the starvation caused by sadness or desperation. In order to complete our amazing life journey successfully, it is vital that we turn each and every dark tear into a pearl of wisdom, and find the blessing in every curse.” ― Anthon St. Maarten
“Light thinks it travels faster than anything but it is wrong. No matter how fast light travels, it finds the darkness has always got there first, and is waiting for it.” ― Terry Pratchett
“Look at how a single candle can both defy and define the darkness.” ― Anne Frank
“I do not speak as I think, I do not think as I should, and so it all goes on in helpless darkness.” ― Franz Kafka
“When you walk to the edge of all the light you have and take that first step into the darkness of the unknown, you must believe that one of two things will happen. There will be something solid for you to stand upon or you will be taught to fly.” ― Patrick Overton
“We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won’t do harm – yes, choose a place where you won’t do very much harm, and stand in it for all you are worth, facing the sunshine.” ― E.M. Forster, A Room with a View
“Darkness does not leave us easily as we would hope.” ― Margaret Stohl
In my letter this week, I want to open your eyes a bit wider on all of the people you are getting to observe in the women’s therapy group. My intentions are to do my own analysis for you of who I feel and think the people in this group and it’s fearless leader really are. Strictly from my point of view. I have a really good sense of people. A sensitivity that enables me to psychically feel what is going on inside of anyone I am in contact with in a close proximity. Sometimes I am too hypersensitive and pick up too much of what is coming off of people I am around. It is not a gift but an annoyance and makes me feel really anxious and agitated. There is no way to block out the bad from the good. I get all the emotions blasting at me all at once. It is extremely overwhelming and disconcerting especially when there are too many people all in extreme states of disturbance.
I should really start with the person you seem to be getting closest to first, Robin. She is someone who is difficult to get to know. My sense is her barriers are extremely high up. She doesn’t really like people , yet she gives the appearance of wanting someone in her life. Maybe more than one person but she can be quite negative about everyone who shows her any interest in wanting to get to know her. I get close to her but if I am truly honest, whenever we talk, I always feel so hyper afterwards and I often find myself shaking. She brings up too much information. Triggers too many memories in me. I’m not sure if we have very good boundaries in our relationship. She can be extremely critical of everyone I know, especially Mr. Xxx. She is right about him but it does under-mind that relationship just the same. I go along with the lambasting of his character and his flaws as a therapist.
We do have some similar issues we are coping or not coping so well with. It is not my place to go into her problem but I will talk to you freely about mine. I am open about my past. What I remember of it. It was severe and it was traumatizing. I lived the life of someone who exhibited the symptoms of autism. I didn’t speak or relate to anyone. I never talked. My introversion was extreme. Relating to other people, especially my family, was totally impossible for me. I was much older when I put that diagnosis together. It was wrong but I needed to have answers. I am part cat and extremely curious. When I first got high on pot I needed to analyze what exactly was the reaction I was experiencing. I wanted to understand what it was doing. A true scientist. I missed my calling.
Never developed the full picture on marijuana except that I loved getting high and it made everything enjoyable except the creeping paranoia. Otherwise, music, talking, writing, anything I did was on such a higher level of enjoyment when I was stoned. It opened up my shell of silence. The only other drug I felt the same way about was mescalin. Read the whole Bhagava-Gita in one session tripping on that stuff. Even went on a visit to McDonald’s on the same trip and came to the aid of a damsel in distress from a rather grumpy employee. I told him to show a bit more respect for people. That was cool and unusual behavior for me. It felt good to stand up for someone who was having the experience of being bullied.
It was just a year prior to my great discovery. I finally figured out or should I say came to an acceptance and acknowledgement of my true sexuality while I was attending college. I realized I was a lesbian and I was already living with the woman who became my first lesbian lover. We took forever to realize we didn’t need men to be sexual. She felt we did and when she said. “I would love to be sexual but we don’t have any men.” My rather stoned and wine laden mind responded rather boldly by saying without thinking at all, the following words were uttered from my mouth, “But we don’t need any men.” We had each other and some strong feelings of attraction and love for each other. We played around with our physical feelings all summer by playing tactile games, for example, lightly touching the bottom of each others feet. If you are ticklish, just get past it, because I will tell you it is one of the most erotically, sensual experience ever without actually having to be direct about your sexual behavior
I think I drifted a bit away from the topic. Warning: don’t trust Robin. I like you and I don’t want her to hurt you. She has a way of cutting into you behind your back. We may be friends but I am not sure why that relationship works. She does bring out the worst in me. It makes me critical but not in a constructive way. To criticize with truth is one thing but to assassinate a character is unkind and mean and cruel. That is what it is. She can be cruel.
I will tell you more later as we get closer. Now I feel I have said enough and need a break. I will go deeper as our relationship develops and I feel our trust growing. I am observant and I am willing to share my secrets with you within reason for now. I somehow think we are going to go deeper into a good relationship. My feelings for you resonate at nothing less than extremely positive. So I will close now.
More to come later. You can be sure of that. This is proving to be quite cathartic for me. I may never send these to you, so what I am writing is more to me like a journal than a confessional or a revelation for you to learn about this crazy group of people of which you have been thrown into the middle. We do all have some extremely good qualities and some not so kind natures. Maybe that is what is to be expected from such a group of damaged individuals.
I will follow up that statement of “a group of damaged individuals,” by saying we had the bad fortune of being situated with families who had no understanding of us and treated us in any manner of abuse that could ever cross your mind and then go even further and you may never come to the end of what may have been done to us in the name of abusive child rearing and abuse of every nature possible. What it did to our psyches has yet to be completely determined.
I am stopping now. It is beginning to feel that I am stepping beyond the bounds I feel comfortable. So to another time and for another letter. I stop right here.
Regards,
Madison(This note is to ensure these are written in the strictest of confidence.)
To Annie,
At this moment I am not trying to be a coward, but I feel if I hold back now or never send this to you, then I am freeing myself up to write whatever I wish without need of censorship. Maybe someday, when I am feeling more familiar with just who you are and what you might mean to me, this parameter will be altered and a copy of this and future letters will be relayed to you. For now I want to maintain secrecy, to protect you, Annie, and to protect myself from over testing the barriers or boundaries of what the potentials could be between us and the development of our relationship.
I am adding this in order that you, Annie Haskell, will know that I am trying to protect you and also myself from any humiliation. It will free up my words as I speak them upon the page. And on some future date, if I feel trusting enough, I will release to you what I write in honesty, but for now I will keep my words confidential. On my honour, no others shall see these pages, I promise you that.
QUOTATIONS from: LETTERS of IMPORT: Private Writings to a Psychoanalyst
“A Dream
The beginning always starts out with a dream.
It is all a dream
And we are all players
In our own nightmares”
— Madison Taylor
“For that fine madness still he did retain,
Which rightly should possess a poet’s brain.”
~Michael Drayton~
(1563-1631)
“Who ever loved that loved not at first sight?”
Christopher Marlowe for “Hero and Leander”
“A therapeutic relationship is often more psycho-emotionally intimate than a marriage, or a romantic attachment. I know things about my patients that they would never dream of revealing to their spouses or families. Why is that? One word — trust. If you do not have a connection with a therapist, you cannot trust them. If you do not have trust, you will not expose yourself, and if you do not expose your innermost being, what good is the therapy?” — unknown but ask any great therapist
“Men have called me mad, but the question is not yet settled, whether madness is or is not the loftiest intelligence…whether much that is glorious–whether all that is profound–does not spring from disease of thought…” — Edgar Allan Poe
