Tag Archives: mania

Genius or Madness?

Genius or Madness?
“Up/Down” Bipolar Disorder Documentary
Post Created by Jk the SK
Illustrated by j. kiley
Created May 12th 2013
Posted May 13th 2013

Original Transcript
6 November 2012
Genius or Madness?
Professor Glenn Wilson

“Great wits are sure to madness near allied, and thin partitions do their bounds divide” (John Dryden, 1681).
“There is no great genius without a tincture of madness” (Seneca, 1st Century A.D.).silver divider between paragraphs

dali  spider of the evening 1024x768

dali spider of the evening

silver divider between paragraphsMany great artists and scientists appear to have gone slightly mad following their lofty achievements. Isaac Newton was arguably the greatest physicist of all time, introducing the concept of gravity and making major advances in optics, mechanics and mathematics. He was also intensely suspicious and distrustful of others and in later life dabbled in alchemy and sought hidden messages in the Bible. Of course, alchemy was not thought a mad pursuit in Newton’s day and he could have been afflicted with mercury poisoning as a result of his experiments.silver divider between paragraphs
dali   the disintegration of the persistance of memory  1030x800

dali the disintegration of the persistance of memory

silver divider between paragraphsBeethoven and Van Gogh are also said to have gone progressively mad, though the reasons are equally debatable. Beethoven’s mania may have been due to alcoholism, syphilis, or lead poisoning (apart from his profound deafness, which would distress anyone, let alone a musician). There are theories that Van Gogh’s mood swings were caused by porphyria rather than bipolar disorder, that he lost his ear in a duel with Gauguin (claiming self-injury to maintain his friendship) and that his “suicide” was an accidental shooting by two boys playing cowboys (whom he also protected).silver divider between paragraphs
van gogh  starry night on the rhone  932x687

van gogh starry night on the rhone

silver divider between paragraphsFor others, the genius and madness appear in parallel. Nikola Tesla was a brilliant applied scientist whose inventions rivaled those of Edison. He obtained around 300 patents in radio and electricity technologies, pioneering alternating current and hydroelectric power. However, he claimed to be in communication with other planets, to have invented “death rays” and suffered from bizarre compulsions.silver divider between paragraphs
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van gogh bridge

silver divider between paragraphsJohn Nash, the Nobel-winning mathematician who developed “game theory” for the social sciences also suffered paranoid delusions throughout his career. He was hospitalised involuntarily and had to feign sanity to be released. He still heard the voices but learned how to live with them and not to talk about them. “I wouldn’t have had such good scientific ideas if I had thought more normally” he said.silver divider between paragraphs
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van gogh starry night

silver divider between paragraphsSometimes it is a matter of chance or social milieu that determines whether an individual is deemed brilliant or crazy. To the Counter-Reformation Church leaders, Galileo was not necessarily mad (probably just heretical) but they clearly failed to appreciate his genius and subjected him to a lifetime of house arrest. In other times and places Picasso and Einstein might have been committed to an insane asylum rather than revered for their original thinking.silver divider between paragraphs
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moby dick – jackson pollock

silver divider between paragraphsMany lists of creative achievers throughout history have been compiled along with mental health symptoms and diagnostic categories retrospectively assigned to them. Unfortunately, these are mostly anecdotal, speculative and lacking in proper controls for comparison. Some have argued that the connection between genius and madness has been over-egged because of a few high-profile cases such as those described above.silver divider between paragraphs
virginia woolf by george charles beresford 1902

virginia woolf by george charles beresford 1902

silver divider between paragraphsThe best evidence in support of the genius-madness link comes from behaviour genetics. The close relatives of creative people are more likely to be schizophrenic and vice versa (psychotics having more creative relatives). Einstein, for example, had a son who was schizophrenic, while Bertrand Russell had many schizophrenic relatives. According to Simonton (1999), “creative hits and crazy misses” are mixed within many illustrious family pedigrees, including the Darwins, Galtons and Huxleys.silver divider between paragraphs
virginia woolf

virginia woolf

silver divider between paragraphsThe first degree relatives of creative people are actually more prone to mental disorders than creatives themselves. This is because actual illness (as opposed to its genetic predisposition) is likely to impede a creative career. The exception seems to be writers, who themselves show high rates of many behavioural disorders, including psychoses, mood disorders, substance abuse and suicide.silver divider between paragraphsvirginia-woolf 3silver divider between paragraphsCould the environment also be involved? Traumatic events in childhood and orphan status seem more common in those who make outstanding contributions to art and science. In a study of 700 high achievers, found that three-quarters had troubled childhoods, especially loss of a parent. The “school of hard knocks” could provide motivation and inspiration (Dickens and Chaplin come to mind here) while at the same time generating psychological disorder. However, this idea is opposite to the common-sense view that parental support and encouragement is beneficial to achievement, rather than maltreatment and deprivation. Indeed, the Goetzels found that wealth was more common in the backgrounds of famous people than poverty. And of course, pathology in the parents may be genetically transmitted to their children, thus accounting for some of the associations reported.silver divider between paragraphs
Virginia Woolf  1000x288

Virginia Woolf

silver divider between paragraphsSimilar thought processes, such as unusual and grandiose ideas, together with a determination to promote them, seem to link genius and psychosis. Certain neurotransmitters and gene loci have been cited as common to both, including the male sex hormone testosterone, a gene relating to a growth factor involved in neural development and plasticity called neuregulin 1 (NRG1 and genes modulating dopamine transmission in the brain, e.g., DARPP-32.silver divider between paragraphs
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virginia woolf painting

silver divider between paragraphsUnconventional thinking is characteristic of a constitutional personality trait called Psychoticism (P). This has many facets, including tough-mindedness, lack of empathy, impulsiveness, risk-taking, adventure-seeking, bizarre thinking, and a refusal to adhere to social norms. High levels of P predispose to psychopathy and clinical psychosis, as well as to creativity, thus accounting for the overlap between them. A good deal of research over recent decades has supported this theory. A related trait is called schizotypy. An optimum number of indicators for this relates to creative achievement, rather than full-blown schizophrenia.silver divider between paragraphs
kurt cobain

kurt cobain

silver divider between paragraphsDopamine function (or dysfunction?) may account for the link between genius and madness. Dopamine is the chemical messenger in the meso-limbic and cortical areas of the brain concerned with approach, reward, positive mood and achievement-seeking. Genes that modulate dopamine levels are reported to affect novelty-seeking behaviour and to relate to Impulsivity and Psychoticism. Recreational drugs that are addictive and sometimes lead to delusions and hallucinations (e.g., amphetamine psychosis) tend to raise levels of dopamine in the brain. By contrast, anti-psychotic medications are usually dopamine antagonists (this being one of the reasons why compliance is difficult). Untreated schizophrenics have more D2 receptors in the striatum and lower D2 binding in the thalamus.silver divider between paragraphs
cobain - bipolar  659x446

kurt cobain – bipolar

silver divider between paragraphsGenius and psychotic are both inclined to loose associations (i.e., “thinking outside the box”). This can be observed as unusual responses on a word association test or in some of Salvador Dali’s surreal images (e.g., the Lobster-Telephone and the Mae West Lips Sofa). Such flexibility of thought seems to be increased by dopamine.silver divider between paragraphs
beethoven - bipolar  630x630

beethoven – bipolar

silver divider between paragraphsAnother description of the schizophrenic thinking style is that it tends to be over-inclusive, with the boundaries of relevance being set more broadly. To most people, an apple falling off a tree and the movement of planets in the solar system would appear to have nothing in common, but Newton was insightful enough to connect them under the grand unifying concept of “gravity.” Of course, not all such generalisations turn out to be that useful but many great scientific theories depend upon the ability to perceive improbable connections.silver divider between paragraphs
carrie fisher - bipolar 638x359

carrie fisher – bipolar

silver divider between paragraphsExactly how loose associations or over-inclusive thinking promote genius is unclear. If enough crazy ideas are generated, one or two might hit the target by chance alone. This approach is deliberately harnessed in “brainstorming” sessions which use random “flashcards” as a means of generating fresh ideas. Certainly, it is difficult to be creative operating within received wisdom and some of the greatest artists and composers were the “rebels” least shackled by the traditional rules of their art. However, the “shotgun” theory smacks slightly of “monkeys on typewriters”. (It would take a long time for them come up with the complete works of Shakespeare). Outstanding advances in science, like the theories of evolution and relativity, and great works of art, such as Wagner’s Ring Cycle, cannot be generated by chance alone. Profound imagination and high-level spatial intelligence is usually required in addition.silver divider between paragraphs
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bipolar behaviour

silver divider between paragraphsApplication to the point of “work addiction” is also often involved. Edison reckoned that genius was 1% inspiration and 99% perspiration.Most creative people are also the most productive. There is a positive correlation between quality and quantity of output, implying that each masterpiece is likely to be interspersed with much that is mediocre. (I do not ne)cessarily agree with this statement.)silver divider between paragraphs
marilyn monroe - bipolar 630x465

marilyn monroe – bipolar

silver divider between paragraphsThe human tendency to apophenia may be implicated in both creativity and madness. This refers to seeing meaningful patterns where they do not exist and it underlies superstition and hallucinations (e.g., seeing ghosts and hearing “voices”). This perceptual style has survival value because failing to spot a predator in the forest is a bigger (potentially fatal) mistake than seeing one where it does not exist. Exaggerated apophenia is characteristic of schizotypal individuals and is enhanced by dopamine.silver divider between paragraphs
ernest hemingway - bipolar 627x590

ernest hemingway – bipolar

silver divider between paragraphsAnother mental “illness” linked with creativity is bipolar mood disorder (previously called “manic-depressive psychosis”). This is characterised by extreme mood swings, occurring over a period of months, and it seems particularly to afflict artists, writers, musicians and comedians. Among highly talented people who appear to have suffered mood disorder are Peter Tchaikovsky, Robert Schumann, Vincent Van Gogh, Virginia Woolf, Spike Milligan, Paul Merton and Stephen Fry (who presented a TV documentary on bipolar disorder detailing his experiences).silver divider between paragraphs
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winston churchill – bipolar

silver divider between paragraphsGenetic analysis shows links between bipolar disorder and schizophrenia. Sufferers are often tortured souls, particularly when the “Black Dog” afflicts them, and their feelings may be tapped to give greater depth and sensitivity to their art. On the other hand, the “flight of ideas” experienced in the “manic” phase of the mood cycle can result in exceptional productivity. As with the trade-off between schizophrenia and genius, bipolar disorder balances troughs with peaks in a way that might account for its evolutionary survival. Treatments are available for bipolar disorder but there is a danger that, by smoothing mood, they could impede the creative forces.silver divider between paragraphs
bipolar wheel 670x480

bipolar wheel

silver divider between paragraphsThen there are the autistic spectrum disorders (such as Asperger’s syndrome) in which a deficiency in social communication is sometimes accompanied by “savant” skills in fields like music, mathematics and spatial intelligence. In the film Rain Man (1988), Dustin Hoffman plays Raymond Babbitt an autistic whose exceptional memory is exploited by his brother to count cards in Las Vegas casinos. (This was loosely based on a real-life savant called Kim Peek, who may in fact have had a chromosome disorder). The artist Louis Wain, who became famous for his surrealistic cat paintings was hospitalised for schizophrenia, but others have argued he was actually autistic.silver divider between paragraphs
marilyn monroe poster 851x315

marilyn monroe poster

silver divider between paragraphsThese various “disorders” can all contribute to extraordinary contributions to art and science. Some tendency to psychotic traits seems to be beneficial (thus accounting for the maintenance of such genes) but too much makes the individual disorganised and is hence detrimental. It is notable that creative artists and writers have profiles similar to those of psychotic patients on clinical scales of the Minnesota Multiphasic Personality Inventory (MMPI) but are less extreme – in fact, roughly half-way between normal controls and full-blown schizophrenics.silver divider between paragraphs
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mel gibson – bipolar

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What is the mechanism whereby schizophrenic genes promote survival? The clue may be in the behaviour of bower birds, the males of which make colourful and elaborate constructions in order to attract a female (the Taj Mahals of the bird world). Creativity has also been shown to promote mating success in men, as measured by number of sex partners. Since there is no such connection for women, it is not surprising that men’s productivity in art and science exceeds that of women by around ten times.(I don’t believe this statement about men exceed women by around ten times in productivity in art and science—more like opportunity and the continued imbalance in availability and acknowledgment).silver divider between paragraphs
medical cannabis for bipolar treatment 634x633

medical cannabis for bipolar treatment

silver divider between paragraphsObviously, it does not do to be totally and permanently “away with the fairies”; some measure of control needs to be maintained. Consider James Joyce and his daughter Lucia, who was being treated by Carl Jung for schizophrenia in 1934. Joyce doubted she could be schizophrenic because her thought patterns were so similar to his own. Jung disagreed, comparing father and daughter to two people who had arrived at the bottom of a river. According to Jung, James had dived there, whereas Lucia had fallen in. silver divider between paragraphs
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marilyn monroe her famous selfish quote

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Genius and madness have much in common but there are also important differences between them. Mostly these are to do with intelligence, self-insight and contact with reality. Salvador Dali said: “There is only one difference between a madman and me. The madman thinks he is sane. I know that I am mad”. Certainly, Dali was eccentric, self-absorbed and grandiose with a flamboyant moustache and a manic stare. But he was also a skilled draftsman, who produced brilliant, imaginative artworks, which made him rich, famous and able to enjoy a life of luxury. He was not, therefore, totally mad. © Professor Glenn D Wilson 2012
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Genius or Madness? The Psychology of Creativity – Professor Glenn D. Wilson. The text is close to what is on the video but if you want to see it just click on this link.
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“Up/Down” Bipolar Disorder Documentary FULL MOVIE (2011)silver divider between paragraphsThis is a brilliantly made Documentary. Everyone who is Bipolar or knows someone who is or those in the Psychiatric profession and do counseling with anyone who is bipolar or anyone interested in bipolar and everyone who wants to have a knowledge of bipolar and find out what it is from what the myths are or how much people are misinformed about bipolar. A MUST SEE VIDEO. STOP THE STIGMA OF BIPOLAR AND ANY FORM OF MENTAL “ILLNESS” CREATIVITY.silver divider between paragraphs

Beethoven’s Ninth Symphonysilver divider between paragraphs
QUOTATIONS on GENIUS:

“There’s a fine line between genius and insanity. I have erased this line.” ― Oscar Levant

“Genius is nothing more nor less than childhood recaptured at will.” ― Charles Baudelaire, The Painter of Modern Life and Other Essays

“No great mind has ever existed without a touch of madness.” ― Aristotle

“I’m a misunderstood genius.”
“What’s misunderstood?”
“Nobody thinks I’m a genius.”
― Bill Watterson

“Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius — and a lot of courage to move in the opposite direction.” ― E.F. Schumacher

“The public is wonderfully tolerant. It forgives everything except genius.”
― Oscar Wilde, The Artist as Critic: Critical Writings of Oscar Wilde

“The true genius shudders at incompleteness — imperfection — and usually prefers silence to saying the something which is not everything that should be said.” ― Edgar Allan Poe, Marginaliasilver divider between paragraphs
QUOTATIONS on MADNESS:

“Sanity is a madness put to good uses.” ― George Santayana, Essential Santayana, The: Selected Writings

“So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there’s always madness. Madness is the emergency exit.” ― Alan Moore, Batman: The Killing Joke

“Human madness is oftentimes a cunning and most feline thing. When you think it fled, it may have but become transfigured into some still subtler form.” ― Herman Melville, Moby-Dick

“I don’t possess these thoughts I have — they possess me. I don’t possess these feelings I have — They obsess me.” ― Ashly Lorenzana

“The thoughts written on the walls of madhouses by their inmates might be worth publicizing.” ― Georg Christoph Lichtenberg

“Men have called me mad; but the question is not settled whether madness is or is not the loftiest intelligence — whether much that is glorious — whether all that is profound — does not spring from disease of thought — from moods of mind exalted at the expense of the general intellect. They who dream by day are cognizant of many things which escape those who only dream by night. In their gray visions they obtain glimpses of eternity, and thrill, in waking, to find that they have been upon the verge of the great secret. In snatches, they learn something of the wisdom which is of good, and more of the mere knowledge which is of evil. They penetrate, however rudderless or compassless, into the vast ocean of the ‘light ineffable’.” ― Edgar Allan Poe, Eleonora silver divider between paragraphs
QUOTATIONS on BIPOLAR:

“I’m the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible…” ― Elizabeth Wurtzel, Prozac Nation

“There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you’re high it’s tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one’s marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends’ faces are replaced by fear and concern. Everything previously moving with the grain is now against– you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“Manic-depression distorts moods and thoughts, incites dreadful behaviors, destroys the basis of rational thought, and too often erodes the desire and will to live. It is an illness that is biological in its origins, yet one that feels psychological in the experience of it, an illness that is unique in conferring advantage and pleasure, yet one that brings in its wake almost unendurable suffering and, not infrequently, suicide.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“Compared to bipolar’s magic, reality seems a raw deal. It’s not just the boredom that makes recovery so difficult, it’s the slow dawning pain that comes with sanity – the realization of illnesss, the humiliating scenes, the blown money and friendships and confidence. Depression seems almost inevitable. The pendulum swings back from transcendence in shards, a bloody, dangerous mess. Crazy high is better than crazy low. So we gamble, dump the pills, and stick it to the control freaks and doctors. They don’t understand, we say. They just don’t get it. They’ll never be artists.” ― David Lovelace, Scattershot: My Bipolar Family

“Depression is a painfully slow, crashing death. Mania is the other extreme, a wild roller coaster run off its tracks, an eight ball of coke cut with speed. It’s fun and it’s frightening as hell. Some patients – bipolar type I – experience both extremes; other – bipolar type II – suffer depression almost exclusively. But the “mixed state,” the mercurial churning of both high and low, is the most dangerous, the most deadly. Suicide too often results from the impulsive nature and physical speed of psychotic mania coupled with depression’s paranoid self-loathing.” ― David Lovelace, Scattershot: My Bipolar Family

“Absurdity and anti—absurdity are the two poles of creative energy.” ― Karl Lagerfeld

“Except you cannot outrun insanity, anymore than you can outrun your own shadow.” ― Alyssa Reyans, Letters from a Bipolar Mother

“Clear your energy, honor your rhythm, live your vision ” ― George Denslow, Living Out of Darkness: A Personal Journey of Embracing the Bipolar Opportunitysilver divider between paragraphs

Past Present Future

Past Present Future
Written by Jennifer Kiley
May 7th 2013
Illustrated & abstract digital art by j. kiley
Posted May 9th 2013

abstract digital art --- circle mandalas --- artist unknown  750x500

abstract digital art — circle mandalas — artist unknown

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Past Present Future
By Jennifer Kiley
May 7th 2013

Past present future
Live now with me throughout time
Past I lived in confusion

Present I have love
Future no one ever knows
Time carries life through moments

Unfolding motion
As though real matter exists
Vibrations make illusions

What we think is real
Only matters that’s not true
What appears to be is false

Unconscious is soul
Dimensions relate symbols
A dreamer within a dream

We live in a realm
Not in the ultimate realm
That our soul will guide us to

We live this life first
Learn what we need to know now
After soul leaves body we die

That is when it starts
The beginning of our dreams
All join the Eternal One

© jennifer kiley 2013
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effortless --- abstract digital art  1600x1200

effortless — abstract digital art

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Hans Zimmer — Time (INCEPTION)
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QUOTATIONS on TIME:

“They always say time changes things, but you actually have to change them yourself.” ― Andy Warhol, The Philosophy of Andy Warhol

“It has been said, ‘time heals all wounds.’ I do not agree. The wounds remain. In time, the mind, protecting its sanity, covers them with scar tissue and the pain lessens. But it is never gone.” ― Rose Kennedy

“For what it’s worth: it’s never too late or, in my case, too early to be whoever you want to be. There’s no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you’re proud of. If you find that you’re not, I hope you have the courage to start all over again.” ― Eric Roth, The Curious Case of Benjamin Button screenplay

“Time is what we want most,but what we use worst.” ― William Penn

“Time is an illusion.” ― Albert Einstein

“You may delay, but time will not.” ― Benjamin Franklin

“Time is a game played beautifully by children.” ― Heraclitus, Fragments
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Silver Linings Playbook & the Stigma of Bipolar

Silver Linings Playbook & The Stigma of Bipolar
Written by Jennifer Kiley
Film Review taken from Salon
Post Created with a short comment at the end
by jk the secret keeper
Posted 05.01.13

Bradley Cooper, star of Silver Linings Playbook, an Oscar-nominated film about a man living with bipolar disorder. His recent film is making progress toward removing the stigma of mental illness. I am changing the two words to Mentally Creative or Mentally Interesting. The medical community is trying to move away from diagnosing Bipolar or other issues with the brain as “Mental Illness.” They are Brain illnesses or diseases. They are not behavior problems or mental problems. Not should they be stigmatized. When you have the flu you treat it in order to get better. When you have Bipolar you treat it so that you have a better control of what is causing the patient to exhibit the brain illness. There are a variety of ways to treat bipolar as there are people that have that brain dis-ease. I don’t use medications with the exception of one. My thoughts are that you treat bipolar the way that is best for you. I try to work on what helps me keep it under better control. I am still new at it and not very good at following the ways that work the best. But bipolar tends to make you stubborn sometimes. That I have to work on, also. But to stigmatize anyone for having something they were born with or inherited or just woke up one day and there it is bipolar or any other brain illness. You don’t back away from someone with cancer or Parkinson’s or any other physical ailment. Well, bipolar is a physical part of you that is not functioning in a manner in which makes your life easier to live. by jk the SK

Silver Linings Playbook is a film that is a personal movie for David O’Russell and when the group all came together to do the film, it became a personal movie for all of them. Tiffany, played by Jennifer Lawrence, serves as a catalyst and she’s the first person who actually sees who Pat is. Pat is played by Bradley Cooper. That’s the thing that this film has done, people around this country who have seen this film say “this film actually sees who I am” because bipolar is heavily stigmatized, its not a very treatable disease and it’s a condition that is diagnosed way too late. So hopefully, a movie like this will help it become less stigmatized in the onset. The best thing about this movie is that it will be able to reach out and make people feel included. ~ Bradley Cooper

“Silver Linings Playbook” with Bradley Copper

I watched the film last night. My reaction immediately was to think of a way to make a film, write the script for a film, where instead of the mentally creative or mentally interesting being the center and the ones stigmatized, that it wouldn’t be that way at all, instead those that are stigmatized are the folks we consider “normal,” they are the ones we feel uncomfortable around and they are the ones who are put in the outskirts of society and the ones who are stigmatized. If you think about it, those who have bipolar feel uncomfortable around people who are “normal,” those who think they are above those who have problems with the brain. Bipolar isn’t a behavior problem or a mental illness, which I find to be an offensive term. Those with bipolar have the fortunate or unfortunate DNA or the brain misfirings that cause some of the “bipolar reactions” the world has toward bipolar or any other person who is mentally interesting or mentally challenged. Why do “normal” people feel that they have any better a grasp on the truth of life on how to live it than someone who has been “blessed” with the gift of bipolar.

Bipolar is something that is extremely difficult to live with, where every moment or split second could change in your reaction to your world and the way you relate to the people around you. You can fly off the handle and lose your temper from a slight change in your environment. Is that really something to be afraid of? I don’t think so. “Normal” people have moods, also. Yes, bipolar, there are mood changes, the thoughts race around your mind because you have so many ideas firing off in your brain at any given time. Life is exciting. Creating art is a major benefit that can be quite satisfying and comes at one in a rapid firing sort of way. It can be exhilarating. But in that same split second you may find yourself triggered by something you are unaware of that pushes you close to the edge of falling into a dark hole. And most times, you aren’t going to be able to catch a hold of something that will keep you from falling in. It’s an endless fall, like in Alice In Wonderland, except she eventually reaches the bottom and there usually is light there. Bipolar, the lights have gone out.

Finding your way in the dark, when you are feeling nothing but pure tortuous emotional, physical, psychological and spiritual pain, is overwhelming and blinding. Eventually, bipolar will take you to the edge that starts the voices up that make you want to kill yourself or harm yourself. If you have found a discipline when you reach this bottom level like writing or creating art, you usually start that up immediately. And you keep writing or doing your visual arts until you create something that satisfies your opinion that you have succeeded. This may be enough to level you out temporarily and you then may be able to sleep. But even then, you turn on the Walkman with the ear buds in, so not to disturb anyone else with the loudness of your music. The loudness is so that you can only hear the sound of the music and nothing else. It doesn’t usually shut out the death march. That goes on. The thoughts haunt you but you must think them. Bipolar takes you on a journey until you fall asleep.

Hopefully by morning the feelings are under control. Of course, that sleep may take you to 15 or more hours from when you close your eyes. It’s the only way to get back on track. Most likely you haven’t had any sleep in the past day or two. The benefits are that you may not go down that road of bipolar. If you are fortunate you may go down the high one where what you create makes you feel giddy and everything is delightful and light and the demons are sleeping, which means they are leaving you alone. In that bipolar world everything is happy and you laugh and you want the classical or light music to play and you want to create the uplifting poems or stories or art. You want to keep doing projects, to keep creating. So why is the world so afraid of that.

Being mentally creative or interesting isn’t contagious and bipolar people as a rule could care less about harming anyone else except maybe themselves depending on the mood. The mentally creative have been given a stigmatic bum’s rap for the violence of those who take guns and go off on the innocent of the world. Those people are not doing that because they have a brain disease, they are doing that because they are violent individuals or groups that hate themselves and the people that are in their world. Bipolar tends to want to just take care of themselves and stay away from people that judge them. They may yell suddenly and then settle down and forget about it and may want to throw things when they get frustrated but mostly they don’t have any thoughts of hurting anyone and if they get into a down spiral it is usually themselves they are wanting to harm.

So stigma is all in the mind of those who are afraid of people being real and usually afraid of themselves being real. The “normal” people don’t want their reality being touched by anything that might resemble the actual behavior of someone who is alive in any way that might make them have to have a real thought or feeling. I don’t think “normal” people know what they are. Aren’t they usually following the latest dogmatic leader that tells them how to think and how to feel about someone they don’t like. And what about all those people that don’t want to make the rich pay their fair share of taxes because in their “normal” brains they think that it might be them someday who is rich and when they get there they don’t want to have to pay high taxes. I would say the “normal” are the ones who are a bit deluded and can’t think for themselves. And the ones who are bipolar or any other mentally creative individual are the free thinkers and the ones who don’t judge and the ones who want to help support the world and all the people in it.

Maybe it is about time to take a closer look at who the good guys are and who are the ones fucking up the world. And it’s about time to stop stigmatizing and showing people with mentally creative brains as a threat to the safety of society and to see them as contributors in the way of artists and those with original ideas who will move the society and culture forward. Yes, we may get off the path every so often but doesn’t everyone need to do a walk about now and again. Stop judging everyone and start co-existing in peace. Accept difference don’t try to make everyone identical to who you are.
by Jennifer Kiley

Silver Linings Playbook – EXTENDED FEATURETTE HD (2013)Special Features

HERE IS A REVIEW FROM SALON FOR THE FILM: SILVER LININGS PLAYBOOK

Friday, Nov 16, 2012 01:01 PM EST
“Silver Linings Playbook” is gold
Bradley Cooper and Jennifer Lawrence face love and mental illness in the rich, manic new romantic comedy
By Andrew O’Hehir

We get thrown right into the middle of Pat Solitano Jr.’s troubled life story, without any of the usual context or background. Played by Bradley Cooper in a major departure from his customary sleek pretty-boy roles, Pat is the unhinged, overly intense and not always likable protagonist of David O. Russell’s manic, inventive and rewarding “Silver Linings Playbook.” When we first meet him, he’s standing in the corner of his spartan room in a Baltimore mental hospital, talking to himself. His mom, played by the terrific Australian actress Jacki Weaver, has shown up from Philadelphia to sign him out, against doctor’s orders and without having consulted her husband. What did Pat do that got him locked up in the first place? What’s going on with this family? Why do Pat’s wife and the school where he used to teach have restraining orders against him?

Answers to those questions won’t come into focus for a while, although you may rapidly reach the conclusion that the doctors were right and Pat would be better off heavily medicated and under psychiatric care. Back in the family’s Philly neighborhood, with its slightly desperate upper-fringe-of-the-working-class feeling, Pat Sr. (Robert De Niro) has no idea his younger son is returning home. One of the best and unarguably funniest roles of De Niro’s recent oddball supporting career, Pat Sr. fronts as an Italian-American tough guy but is more like a barely glued together mass of neuroses, a failing bookie with a penchant for disastrous side bets and an intense OCD relationship with the Philadelphia Eagles. (His wardrobe gets better and better as the movie progresses; I can’t stand football, but I want Pat Sr.’s Eagles-green cardigan.)

As for Pat Jr., whose apparel frequently involves a shapeless gray track suit topped with a black garbage bag – so he can sweat off weight as he runs – his first item of business is studying up on the high-school English syllabus his estranged wife, Nikki, is teaching, in hopes of impressing her at some unspecified future date. (Nikki plays an important role in Pat’s story, but almost entirely through her absence.) This leads, however, to Pat flinging a copy of “A Farewell to Arms” through a closed window at 4 o’clock in the morning, and awakening his parents with a maniacal rant against Ernest Hemingway. (He refuses to apologize, blaming Hemingway. Pat Sr. says, rather mildly, “Tell Ernest Hemingway to come down here and apologize to us in person.”) I can’t help detecting a genre commentary of sorts here, whether it originates with Russell (who also wrote the script) or Matthew Quick, author of the original novel: Hemingway was writing one kind of story, which purports to depict the tragedies of the real world in the 20th century and does not demand a happy ending. This is the other kind of story.

In fact, “Silver Linings Playbook” is a romantic comedy, even if it doesn’t feel like one at first. Furthermore, it’s a rom-com that succeeds in revitalizing that discredited genre where so many others have failed, injecting it with the grit and emotion of realist drama rather than with amped-up whimsy or social satire or montages of people walking on the beach while whiny emo-pop plays on the soundtrack. As he did with the boxing movie in “The Fighter,” Russell proves that you can breathe new life into one of the hoariest forms in the Hollywood lexicon. He takes a movie where everyone in the audience knows how it will end and makes us suspend our disbelief and fall in love all over again. (After an entire decade in the indie-film wilderness following his 1999 breakthrough with “Three Kings,” Russell seems to have found himself a niche reinventing classic movie genres.)

It helps, of course, that we’ve got a dynamite couple to fall in love with. Russell has long had a flair for unexpected casting combinations, but I really didn’t expect Cooper and Jennifer Lawrence to be such a combustible duo. (Yes, in real life, there’s a significant age spread between these two: Cooper is 37 and Lawrence 22. At the risk of sounding like a total sexist pig, it doesn’t play that way on-screen.) Finally getting unleashed from his immensely lucrative “Hangover” roles and a series of tepid leading-man movies, Cooper gives a twitchy, physical, marvelously alive performance as Pat Jr., who’s barely aware how poor his impulse control is and doesn’t seem to notice that his face is often marred with mysterious scars and bruises. As for Lawrence, she’s been in so many movies lately that she’s in danger of being overexposed but I only wish her chaste and cautious performance as Katniss Everdeen had one-third of the fire she shows here as Tiffany, a grieving widow going through a spectacular meltdown of her own.

There have been dozens if not hundreds of other movies about two damaged people who find each other, and quite a few that try to wring bittersweet laughs out of the painful struggle with mental illness. But it’s always wonderfully satisfying to see a conventional or archetypal story structure handled with this level of craft and enthusiasm. “Silver Linings Playbook” never feels like a movie you’ve seen before, even if Pat and Tiffany’s ultimate destination is clear the moment they meet. It seems clear to us, of course, but not to them; Tiffany assumes he’ll just be another entry on her long list of recent sexual partners, while Pat clings like a drowning man to the idea that his marriage to the invisible Nikki – which ended in an act of disturbing violence, as we eventually learn – can still be redeemed.

During Tiffany and Pat’s disastrous first date (which Pat insists isn’t a date, because he’s getting back together with Nikki any day now) they eat Raisin Bran at a diner while she regales him with steamy tales about sleeping with all her co-workers (male and female) at her last job. Pat isn’t literally wearing his garbage bag in that scene, but he might as well be. All the crockery ends up on the floor, along with the remnants of Raisin Bran, and we’re left with the realization that these two people are falling in love but may be too screwed-up to deal with it – a phenomenon that afflicts many of us at one time or another, from you and me to David Petraeus and that lady with the upper arms.

There’s no point denying that “Silver Linings Playbook” is shameless cornpone, given that the bumpy course of Pat and Tiffany’s romance includes such elements as a ballroom dancing competition, a crucial showdown between the Eagles and the Dallas Cowboys and a parlay bet orchestrated by Pat Sr. that links the two. Not to mention a deceptive epistolary exchange straight out of classic French theater. But where most American romantic comedies are either made by talentless hacks or by Hollywood pros who can barely conceal their contempt for the material and the audience, this one was made by a leading American director at the height of his powers who’s paying attention to every emotional beat, every cut and every frame. Great cinema? Hell, I don’t know. But one of the most satisfying movies, that much is for sure.

ADDED NOTE BY jk the secret keeper: I need to watch the film again. Somewhere in the middle I thought the film was over and dropped off and came back before the film was over. So I watched the beginning and the end but missed the middle. My partner, Shawn, thought the film was great. What I saw I agree with her. Make a lot of noise in the middle of the night. So you get woken up by someone yelling and he happens to be bipolar. I don’t think that’s enough to threaten to someone that their behavior is going to get them thrown back into the institution. Only in America does one live under that threat if one is not strictly staying in between the lines. Freedom is another word for nothing left to shout about. SINCE WHEN. THERE ARE LOTS OF THINGS TO SHOUT ABOUT. Why do we have to be quiet to keep ourselves from being locked away. I do realize, and I am not going to give away a spoiler, that the main character has done something that makes the law question his behavior more carefully but the extreme I think everyone takes it seems too extreme to me and especially in society those who are different in their brain and act differently. These are not the dark ages and those with brain problems don’t deserve to be treated as lesser citizens. GO RENT THIS FILM. IT IS A QUIRKY ROMANTIC COMEDY. THE ACTORS ARE BRILLIANT. JENNIFER LAWRENCE DESERVED HER ACADEMY AWARD AND IT DESERVED TO BE NOMINATED FOR BEST PICTURE AT THE ACADEMY AWARDS. jk the secret keeper

Whitney Houston — I Look To You
QUOTATIONS on BIPOLAR:

“If I can’t feel, if I can’t move, if I can’t think, and I can’t care, then what conceivable point is there in living?” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“When you are mad, mad like this, you don’t know it. Reality is what you see. When what you see shifts, departing from anyone else’s reality, it’s still reality to you.” ― Marya Hornbacher, Madness: A Bipolar Life

“Creativity is closely associated with bipolar disorder. This condition is unique . Many famous historical figures and artists have had this. Yet they have led a full life and contributed so much to the society and world at large. See, you have a gift. People with bipolar disorder are very very sensitive. Much more than ordinary people. They are able to experience emotions in a very deep and intense way. It gives them a very different perspective of the world. It is not that they lose touch with reality. But the feelings of extreme intensity are manifested in creative things. They pour their emotions into either writing or whatever field they have chosen” ― Preeti Shenoy, Life is What You Make It

“It was as if my father had given me, by way of temperament, an impossibly wild, dark, and unbroken horse. It was a horse without a name, and a horse with no experience of a bit between its teeth. My mother taught me to gentle it; gave me the discipline and love to break it; and- as Alexander had known so intuitively with Bucephalus- she understood, and taught me, that the beast was best handled by turning it toward the sun.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“Manic-depression distorts moods and thoughts, incites dreadful behaviors, destroys the basis of rational thought, and too often erodes the desire and will to live. It is an illness that is biological in its origins, yet one that feels psychological in the experience of it, an illness that is unique in conferring advantage and pleasure, yet one that brings in its wake almost unendurable suffering and, not infrequently, suicide.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“Depression is a painfully slow, crashing death. Mania is the other extreme, a wild roller coaster run off its tracks, an eight ball of coke cut with speed. It’s fun and it’s frightening as hell. Some patients – bipolar type I – experience both extremes; other – bipolar type II – suffer depression almost exclusively. But the “mixed state,” the mercurial churning of both high and low, is the most dangerous, the most deadly. Suicide too often results from the impulsive nature and physical speed of psychotic mania coupled with depression’s paranoid self-loathing.” ― David Lovelace, Scattershot: My Bipolar Family

“Compared to bipolar’s magic, reality seems a raw deal. It’s not just the boredom that makes recovery so difficult, it’s the slow dawning pain that comes with sanity – the realization of illnesss, the humiliating scenes, the blown money and friendships and confidence. Depression seems almost inevitable. The pendulum swings back from transcendence in shards, a bloody, dangerous mess. Crazy high is better than crazy low. So we gamble, dump the pills, and stick it to the control freaks and doctors. They don’t understand, we say. They just don’t get it. They’ll never be artists.” ― David Lovelace, Scattershot: My Bipolar Family

“Crazy isn’t a condition it’s a place and it exists somewhere between Love and Oblivion” ― Stanley Victor Paskavich

Earth Day - Birth Day!

Reblogged from MacKENZIE's Dragonsnest:

Happy Birthday to Poe, Parker, and Carter-Lion!

What a year it has been!

Our babies born one year ago today 4/22/13, right in the wee hours of the morning. Approximately 1 to 2 am. Little Carter, sometimes Sparky, Poe, his name sake suits him, and Parker, a little Dorothy from OZ and the caustic from the Algonquin Circle. All are male but have their affectations. Rather androgynous. Carter, of a delicate nature while raising his left paw when contemplating, Poe, flibbertigibbet, and Parker, the wise and wonderful. All made it through their first year as precious and playful as any three kitties could be. jk the secret keeper & their other mom mackenzie's dragon's nest. They have brought a huge amount of joy into our lives. We love them to bits.

Happy 4/20 Legalize It!

Happy 4/20 Legalize It!
FREE MEDICINAL CANNABIS / MARIJUANA TREATMENTS
Created by jk the secret keeper
Created & 04/20/2013
California Time Posted 4/20/13
EDT Posted 4.21.13

Cannabis-Pot-Marijuana Political Power 4/20

Cannabis-Pot-Marijuana Political Power 4/20

drug laws more dangerous than drugs

drugs and laughter

freedom nature is illegal

marijuana_leaf reiki

marijuana kitty

field of weed

end prohibitiion pot

end prohibition now by j. kiley  ©jennifer kiley 2013
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Go to the following link for the list with further conditions that Medicinal Marijuana Treats.

Medicinal Marijuana Treatments. Hate Meds. Want to go Natural. The poster below lists why I need M.M.T. NOW!

medicinal marijuana treatment poster by j. kiley (c) jennifer kiley 2013

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Peter Tosh — Legalize It

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QUOTATIONS on MARIJUANA:

“Herb is the healing of a nation, alcohol is the destruction.” ― Bob Marley

“When you smoke the herb, it reveals you to yourself.” ― Bob Marley

“‎Some of my finest hours have been spent on my back veranda, smoking hemp and observing as far as my eye can see.” Thomas Jefferson

“Why is marijuana against the law? It grows naturally upon our planet. Doesn’t the idea of making nature against the law seem to you a bit . . . unnatural?” ― Bill Hicks

“We all need something to help us unwind at the end of the day. You might have a glass of wine, or a joint, or a big delicious blob of heroin to silence your silly brainbox of its witterings but there has to be some form of punctuation, or life just seems utterly relentless.” ― Russell Brand, My Booky Wook

“Federal and state laws (should) be changed to no longer make it a crime to possess marijuana for private use.” — Richard M. Nixon
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Counting the Beats

Counting the Beats
Created by Jennifer Kiley
Created 04.14.13
Poster 04.14.13

counting the beats by jennifer kiley (c) jennifer kiley 2013

Rascal Flatts — I Won’t Let You Go

QUOTATIONS on OPEN:

“Don’t be afraid to be confused. Try to remain permanently confused. Anything is possible. Stay open, forever, so open it hurts, and then open up some more, until the day you die, world without end, amen.” ― George Saunders

“It’s funny. No matter how hard you try, you can’t close your heart forever. And the minute you open it up, you never know what’s going to come in. But when it does, you just have to go for it! Because if you don’t, there’s not point in being here.” ― Kirstie Alley

“Books open your mind, broaden your mind, and strengthen you as nothing else can.” ― William Feather

“My eyes were closed, they’re open now” ― Damien Rice

“I am always in quest of being open to what the universe will bring me.” ― Jill Bolte Taylor

“Sometimes it’s better to show our vulnerability / pain / regrets so others don’t think us impervious / unapproachable – be real / open” ― Jay Woodman

“If I let her touch me,
it’d be like opening
a one-way
telepathic tunnel.”
― Emma Cameron

“It’s not the substance of what you make known to me that’s beautiful; it’s the opening of your heart. It is the ‘yes’ in your heart to be [open to] mine. The fact that you are revealing the secrets and letting me peer into your heart–that is in itself the beautiful part.” ― Dana Candler

“I believe in always being open to learning more through exploration of everything available and following one’s sense of curiosity, creativity, and playfulness.” ― Jay Woodman

“Your future is only as bright as your mind is open.” ― Rich Wilkins

“The door’, replied Maimie, ‘will always, always be open, and [the good-nurturing] mother will always be waiting at it for me.” ― J.M. Barrie, Peter Pan in Kensington Gardens

When Bipolar: Experiencing Depression

When Bipolar: Experiencing Depression
Part 2
Written by Jennifer Kiley
Abstract Digital Art by j. kiley
Posted on 03.11.13

awe-some

I am addicted to film. They are a way of working with depression. I lose myself in films as long as I am able to absorb myself in what I am watching. As of late, I have been having difficulty keeping my attention on anything that I do except when I am working on my creative writing or working on my art work or while reading or doing research all related to the creative work that I am doing.

I hope this is helpful as an inspiration to help entertain & help while feeling depressed. Looking for a way to help release the emotional pain that depression brings on can feel unbearable & leads one many times into a state of depression that carry with it the depths of darkness where suicidal feelings lay in wait to be awakened by the slightest trigger. Once the suicidal thoughts & feelings come to the surface it is most difficult to process or find relief from their destructive nature.

With depression & suicidal thoughts, one needs to learn a method to work through the sensations that are extremely painful or numbing & can make one feel so desperate that death feels like the only answer to eliminating the overwhelming intensity of pain. There is an increasing level of thought that goes through the mind that feels like the devil is sitting on one shoulder and an angel sitting on the other. What choice should you make? It seems often that to kill one’s self pulls at your attention the strongest. You try to think about the ones that you love & would hurt if you killed yourself. But the state of your mind doesn’t always feel that it would matter that much if you were gone. You would miss their love as well as your loving them. Certain people you would feel more of a loss and it hurts you that the love you felt would turn into pain but it isn’t always strong enough to hold you here, Your animals would come to mind & you know there are certain ones that would be lost without you. No one else would understand them or be able to love them the way that you are able to. You would feel awful leaving them alone. Somehow your senses are being pulled so hard to harm yourself. You just want to die. You just can’t feel the way you do any longer, no matter who you were leaving behind.

awe-some green

I let these thoughts & feelings go through me & I experience them all. I write poetry & other writing, like letters to particular people I feel will understand, But often I don’t turn to anyone. When I feel that depressed that I want to die is when I am least able to reach out to anyone. So many times I have tried to call a chat-line for people who want to kill themselves but I have only gotten as far as almost pushing the button but I can never do it. Even calling my psychotherapist is extremely difficult. I go back & forth as to whether I will call her to speak or leave a voicemail. It is hard for me to ask for help when I am feeling that deeply into a depression.

Eventually, the mood is released & I am pulling out of the nose dive & starting to come up again. The feelings of craziness starts to subside. I always feel like I have done something wrong for feeling those feelings. It is the same when I am at the other end of the cycle. When in a manic phase I actually feel crazier when I am excited than when I am wanting to commit suicide. At least when I want to die I am extremely subdued but when I am manic, I act out & I know that I get so wound up that I sound in my own head like I am as mad as the hatter but I cannot help my behavior. I am just a bit off my nut. I get the feeling of whimsy and get extremely poetic. That is when I actually feel like I am getting myself into more trouble & I am causing those I love to think I am more crazy when I am high than when I am depressed & want to die. Either end of the mood cycle I would say that I am a bit off of what is good for me mentally & emotionally. The extremes take me out of my safe zones where I feel I have any control. And control is extremely important to me. I do not like losing it at all. I am afraid to be too real. It may feel real & real may feel connected but it scares the hell out of me to think or feel I may be out of control in any way. Even though, I must admit, when I am free, I feel good in the sense that I am alive whether high on a mania or low in a depression & want to kill myself. At least, I am doing something with my life rather than subduing all the elements that make me act like I am being a human animal with all the thoughts & feelings of being alive & real & being who I really am.

fields of green

When I am feeling depressed, the things that I choose to come in contact with are usually sad. The movies I watch, art I view, drawings I sketch, poems I write, and music I listen to are all depressing and – at times dark. My therapist wants me to laugh but I want to listen to music that makes me feel what I feel inside. If I am depressed I want to watch a film that is sad or listen to music that is filled with pain or longing. I love the group Evanescence & their song “My Immortal”… It’s about grief and loss. While listening to the song, I feel what the song feels. I listen to a great deal of emotionally raw music b/c I feel connected to it. I love Whitney Houston & I cannot go a day without listening to something that she sings. It seems I am always finding new songs that she recorded that I for some reason have never heard. It makes me feel like she’s still there with me. I just feel really attached to her. Felt that way from the first moment I heard her sing “Greatest Love of All” many years ago before I had any idea who she was. I fell in love with her voice and her. I’ve never stopped caring about her and loving her.

musical waves

It makes sense to me to want to hear her music. It brings me closer to her. I can feel her with me. That may sound crazy but I need to feel those feelings. Someone wrote that they needed to fully embrace the experience of the depression & the sadness, It brings it to the surface & I feel the fullness of the feelings. I just can’t let those feelings go. The depression comes on me and so does wanting to die. I have to accept that those feelings exist. I, also, have to accept that I do get high on the feelings of the mania. I have all this energy. I am working on both ends of the spectrum and on the middle ground too. It’s a slow process but I am working on it. I need some help. I need my therapist and I need to be able to express what I feel. Most of all I need to know from those people I love that it is okay to be me. To not feel I have to hide what or who I am & to not fear expressing my feelings. I am working on trying to do the good things that will help me with all these mood changes. Maybe someday I will find level ground. I know I don’t want to lose who I am. I need to create. That I can never allow anyone to take away from me ever again. No more messing with my mind, my body, my feelings, which means my heart and my soul. jk the secret keeper

Evanescence — My Immortal

Quotations on Depression:

“There are wounds that never show on the body that are deeper and more hurtful than anything that bleeds.” ― Laurell K. Hamilton, Mistral’s Kiss

“The best thing for being sad,” replied Merlin, beginning to puff and blow, “is to learn something. That’s the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.” ― T.H. White, The Once and Future King

“When you’re lost in those woods, it sometimes takes you a while to realize that you are lost. For the longest time, you can convince yourself that you’ve just wandered off the path, that you’ll find your way back to the trailhead any moment now. Then night falls again and again, and you still have no idea where you are, and it’s time to admit that you have bewildered yourself so far off the path that you don’t even know from which direction the sun rises anymore.” ― Elizabeth Gilbert

“The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.” ― David Foster Wallace

“Listen to the people who love you. Believe that they are worth living for even when you don’t believe it. Seek out the memories depression takes away and project them into the future. Be brave; be strong; take your pills. Exercise because it’s good for you even if every step weighs a thousand pounds. Eat when food itself disgusts you. Reason with yourself when you have lost your reason.” ― Andrew Solomon, The Noonday Demon: An Atlas of Depression

“Why do you want to shut out of your life any uneasiness, any misery, any depression, since after all you don’t know what work these conditions are doing inside you? Why do you want to persecute yourself with the question of where all this is coming from and where it is going? Since you know, after all, that you are in the midst of transitions and you wished for nothing so much as to change. If there is anything unhealthy in your reactions, just bear in mind that sickness is the means by which an organism frees itself from what is alien; so one must simply help it to be sick, to have its whole sickness and to break out with it, since that is the way it gets better.” ― Rainer Maria Rilke, Letters to a Young Poet

“If I can’t feel, if I can’t move, if I can’t think, and I can’t care, then what conceivable point is there in living?” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“It’s not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing—they are not all bad. Those devils have been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.” ― Stephen Fry, Moab Is My Washpot

“Others imply that they know what it is like to be depressed because they have gone through a divorce, lost a job, or broken up with someone. But these experiences carry with them feelings. Depression, instead, is flat, hollow, and unendurable. It is also tiresome. People cannot abide being around you when you are depressed. They might think that they ought to, and they might even try, but you know and they know that you are tedious beyond belief: you are irritable and paranoid and humorless and lifeless and critical and demanding and no reassurance is ever enough. You’re frightened, and you’re frightening, and you’re “not at all like yourself but will be soon,” but you know you won’t.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“Its so hard to talk when you want to kill yourself. That’s above and beyond everything else, and it’s not a mental complaint-it’s a physical thing, like it’s physically hard to open your mouth and make the words come out. They don’t come out smooth and in conjunction with your brain the way normal people’s words do; they come out in chunks as if from a crushed-ice dispenser; you stumble on them as they gather behind your lower lip. So you just keep quiet.” ― Ned Vizzini, It’s Kind of a Funny Story

“The lotus is the most beautiful flower, whose petals open one by one. But it will only grow in the mud. In order to grow and gain wisdom, first you must have the mud — the obstacles of life and its suffering. … The mud speaks of the common ground that humans share, no matter what our stations in life. … Whether we have it all or we have nothing, we are all faced with the same obstacles: sadness, loss, illness, dying and death. If we are to strive as human beings to gain more wisdom, more kindness and more compassion, we must have the intention to grow as a lotus and open each petal one by one. ” ― Goldie Hawn

“Choking with dry tears and raging, raging, raging at the absolute indifference of nature and the world to the death of love, the death of hope and the death of beauty, I remember sitting on the end of my bed, collecting these pills and capsules together and wondering why, why when I felt I had so much to offer, so much love, such outpourings of love and energy to spend on the world, I was incapable of being offered love, giving it or summoning the energy with which I knew I could transform myself and everything around me.” ― Stephen Fry, Moab Is My Washpot

“Killing oneself is, anyway, a misnomer. We don’t kill ourselves. We are simply defeated by the long, hard struggle to stay alive. When somebody dies after a long illness, people are apt to say, with a note of approval, “He fought so hard.” And they are inclined to think, about a suicide, that no fight was involved, that somebody simply gave up. This is quite wrong.” ― Sally Brampton, Shoot The Damn Dog: A Memoir Of Depression

Oscar Awarded To:

Oscar Awarded To:
Created by jk secret keeper
Created 02.24.25 Evening
Academy Ceremony Over Exactly At Midnight
Posted 02.25.13 @2:43am EST

oscar

Oscar Awarded To:

WINNERS of the 85th Academy Awards

♥♥♥ jk THINKS WILL WIN

��� SM THINKS WILL WIN

♣♣♣ jk WANTS TO WIN

♫♫♫ SM WANTS TO WIN

:cool: :cool: :cool: WINNER

Best Picture
:cool: :cool: :cool: ��� ♥♥♥ “Argo” Grant Heslov, Ben Affleck and George Clooney, Producers

Argo Film Trailer —Winner Best Picture 2013

Best Adapted Screenplay
:cool: :cool: :cool: “Argo” Screenplay by Chris Terrio

Film Editing
:cool: :cool: :cool: “Argo” William Goldenberg

argo-poster-header

Best Director
:cool: :cool: :cool: ♫♫♫ “Life of Pi” Ang Lee

Cinematography
:cool: :cool: :cool: ♫♫♫ ♣♣♣ “Life of Pi” Claudio Miranda

Best Original Score
:cool: :cool: :cool: ♥♥♥ “Life of Pi” Mychael Danna

Achievement in visual effects
:cool: :cool: :cool: ��� ♫♫♫ ♥♥♥ ♣♣♣ “Life of Pi”
Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott

life-of-pi-poster

Best Actor
:cool: :cool: :cool: ��� ♫♫♫ Daniel Day-Lewis in “Lincoln”

Production Design
:cool: :cool: :cool: “Lincoln”
Production Design: Rick Carter; Set Decoration: Jim Erickson

lincoln-movie-poster

Best Supporting Actor
:cool: :cool: :cool: Christoph Waltz in “Django Unchained”

Best Original Screenplay
:cool: :cool: :cool: “Django Unchained” Written by Quentin Tarantino

django unchained chistoph waltz

Best Actress
:cool: :cool: :cool: ��� ♫♫♫ ♣♣♣ Jennifer Lawrence in “Silver Linings Playbook”

silver_linings_playbook_poster

Best Supporting Actress
:cool: :cool: :cool: ��� ♫♫♫ ♥♥♥ ♣♣♣ Anne Hathaway in “Les Misérables”

Makeup
:cool: :cool: :cool: ♫♫♫ ♣♣♣ “Les Misérables”
Lisa Westcott and Julie Dartnell

Sound Mixing
:cool: :cool: :cool: ♫♫♫ ♥♥♥ ♣♣♣ “Les Misérables”
Andy Nelson, Mark Paterson and Simon Hayes

les_miserables

Best Foreign Language Film
:cool: :cool: :cool: ��� ♫♫♫ ♥♥♥ “Amour” Austria

Amour poster

Best Original Song
:cool: :cool: :cool: ��� ♫♫♫ ♥♥♥ “Skyfall” from “Skyfall”
Music and Lyric by Adele Adkins and Paul Epworth

Adele — Skyfall — James Bond 007

Sound Editing (2 winners)
:cool: :cool: :cool: ♫♫♫ “Skyfall” Per Hallberg and Karen Baker Landers
:cool: :cool: :cool: ��� ♥♥♥ “Zero Dark Thirty” Paul N.J. Ottosson

zero_dark_thirty_

Beasts-Of-The-Southern-Wild
The youngest actor, Quvenzhané Wallis, ever nominated for Best Actress. Here is the poster of the ninth and last of the Best Picture Nominees. They should be added to everyone’s film lists of films to see. Brilliant selection. Brilliant Awards Ceremony. Here she is on the Ellen show. She is so cool.

Quvenzhané Wallis interviewed on the Ellen Show

Best Animated Feature
:cool: :cool: :cool: ��� “Brave” Mark Andrews and Brenda Chapman

Costume Design
:cool: :cool: :cool: “Anna Karenina” Jacqueline Durran

Best Documentary Feature
:cool: :cool: :cool: ♫♫♫ “Searching for Sugar Man”

Best Documentary (Short Subject)
:cool: :cool: :cool: “Inocente”
Sean Fine and Andrea Nix Fine

Best Animated Short Film
:cool: :cool: :cool: ��� “Paperman” John Kahrs

Best Live Action Short Film
:cool: :cool: :cool: “Curfew” Shawn Christensen

♥ ♫ ♪ Gary Wright: Dream Weaver, Album/Studio Version HQ ♥ ♫ ♪

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.” ― Ingrid Bergman

“Every scene should be able to answer three questions: “Who wants what from whom? What happens if they don’t get it? Why now?” —David Mamet

“A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.” ― Pauline Kael, For Keeps: 30 Years at the Movies

“I guess I could be pretty pissed off about what happened to me, but it’s hard to stay mad when there’s so much beauty in the world. Sometimes I feel like I’m seeing it all at once, and it’s too much; my heart fills up like a balloon that’s about to burst. And then I remember to relax, and stop trying to hold onto it. And then it flows through me like rain, and I can’t feel anything but gratitude—for every single moment of my stupid, little life. You have no idea what I’m talking about, I’m sure; but don’t worry….you will someday.” ― Alan Ball, American Beauty: The Shooting Script

“In a way, what Tarantino has done with the French New Wave and with David Lynch is what Pat Boone did with rhythm and blues: He’s found (ingeniously) a way to take what is ragged and distinctive and menacing about their work and homogenize it, churn it until it’s smooth and cool and hygienic enough for mass consumption. Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i.e., fast, linear, and with what was idiosyncratically surreal now made fashionably (i.e., “hiply”) surreal [...] D. Lynch is an exponentially better filmmaker than Q. Tarantino. For, unlike Tarantino, D. Lynch knows that an act of violence in an American film has, through repetition and desensitization, lost the ability to refer to anything but itself. A better way to put what I just tried to say: Quentin Tarantino is interested in watching somebody’s ear getting cut off; David Lynch is interested in the ear.” ― David Foster Wallace

“A director makes only one movie in his life. Then he breaks it up and makes it again.” ― Jean Renoir

“I want to thank anyone who spends a part of their day creating, I don’t care if it’s a book, a film, a painting, a dance, a piece of theater, a piece of music – anybody who spends part of their day sharing their experience with us – I think this world would be unlivable without art and I thank you.” ― Steven Soderbergher

“I don’t like the idea of “understanding” a film. I don’t believe that rational understanding is an essential element in the reception of any work of art. Either a film has something to say to you or it hasn’t. If you are moved by it, you don’t need it explained to you. If not, no explanation can make you moved by it.”
― Federico Fellini

Silver Linings Playbook

Silver Linings Playbook
(The Film’s Lead Character Bipolar)
Post Created by the secret keeper
02.12.13

Review by Lisa Schwartzbaum
EW’s GRADE A

Details Released Date: Nov 21, 2012; Rated: R; Length: 122 Minutes; Genre: Comedy; With: Bradley Cooper (Pat), Robert De Niro (Pat Sr.), Jennifer Lawrence (Tiffany) and Jacki Weaver (Dolores-mom to Pat)

Family nuttiness, football madness, romantic obsession, and certifiable mental illness coexist happily in Silver Linings Playbook — a crazy beaut of a comedy that brims with generosity and manages to circumvent predictability at every turn. Our damaged, bipolar hero, Pat Solatano Jr. (Bradley Cooper), first makes his entrance in a psych ward. He’s been committed because he beat the crap out of a guy, though there were mitigating circumstances: The guy was sleeping with Pat’s wife. Who has since dumped Pat. Which has sent Pat on a mission to win her back. In any event, when the precariously upbeat fellow is sprung from the bin by his doting mother (wonderful Jacki Weaver from Animal Kingdom), he returns to the bosom of a Philly family that thrums with crazy as a way of life, much of it generated by Pat’s father (Robert De Niro). Fixated on the family’s favorite football team, the Philadelphia Eagles, and doing haphazard business as a bookie, the old man employs an arsenal of superstitions and obsessive-compulsive behaviors to ”ensure” his team wins. It’s been ages since De Niro has had a role this juicy, or has looked so alive and fully engaged — the difference, I suppose, between taking yet another role that’s a Fockers-like parody of aggressive De Niro-fication and one that’s a man in full, OCD and all, frustrated by the ways a loving father just can’t help his own son.

Cooper, meanwhile, has been having a helluva career rise. But the sense of personality wobble he brings to his portrayal of Pat is something new in his repertory, and it’s a revelation. There’s a look the actor gets in those nice blue eyes, something between a stare, a dare, and a cringe, that distills a whole mess of conflicting impulses and emotions into one appealing expression of vulnerability. And Cooper meets a singular partner in crime (and chemistry) in the fabulous Jennifer Lawrence(Remember “Hunger Games”), the girl on fire, who is incandescent as Tiffany, a local young woman with issues of her own.

Somehow, in the story’s loose, loopy trajectory, Tiffany and Pat learn to dance together — I mean really dance, so they can enter a ballroom competition, with all that signifies for emotional connection. Yet in scenes of Pat and Tiffany rehearsing, doing flailing aerobic sprints down suburban streets, and squabbling with the special intensity of two people with unreliable filters, nothing about this crazy-boy-meets-wacky-girl romance is what a moviegoer is cued to expect. For such freshness, writer-director David O. Russell can take the bow. Silver Linings Playbook is based on a best-selling 2008 novel by Matthew Quick. Still, Russell’s own flair for playing with characters who flirt with disaster is what gives the movie its peculiar verve and unique sense of controlled chaos. His last outing, The Fighter, was a Big Broody Brotherly movie. But it’s the filmmaker’s empathy for exotically and often hilariously unhinged characters — something he’s displayed in odd jobs including Spanking the Monkey, Flirting With Disaster, and Three Kings — that is his signature contribution to Americano-auteurist storytelling. Silver Linings scoops up a whole lot of ancillary nut-jobs in the course of the mayhem, among them Rush Hour’s Chris Tucker as Pat’s buddy from the psych ward, Anupam Kher as Pat’s shrink, and John Ortiz as a stressed-out neighborhood pal married to Tiffany’s controlling sister (Julia Stiles). Russell welcomes them all into the rumble with open arms. The movie is lit with a love that catches the viewer by surprise. We’re ready for the comedy of craziness, but the depth of compassion is the movie’s silver lining. A

Silver Linings Playbook Official Trailer

Katie Couric Interviewing Bradley Cooper, Robert DeNiro, Writer-Director David O. Russell

“I hate my illness. I want to control it.” Pat, Jr. (Bradley Cooper)

“The only way to beat my crazy was by doing something even crazier. Thank you. I love you. I knew it from the moment I saw you. I’m sorry it took me so long to catch up.” Pat, Jr, (Bradley Cooper)

“Let me tell you, I know you don’t want to listen to your father, I didn’t listen to mine, and I am telling you you gotta pay attention this time. When life reaches out with a woman like this it’s a sin if you don’t reach back, I’m telling you its a sin if you don’t reach back! It’ll haunt you the rest of your days like a curse. You’re facing a big challenge in your life right now at this very moment, right here. That girl loves you she really really loves you. I don’t know if Nicky ever did, but she sure as shit doesn’t right now. So don’t fuck this up.” Pat, Sr. (Robert DeNiro)

“There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you’re high it’s tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one’s marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends’ faces are replaced by fear and concern. Everything previously moving with the grain is now against– you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.”― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“Manic-depression distorts moods and thoughts, incites dreadful behaviors, destroys the basis of rational thought, and too often erodes the desire and will to live. It is an illness that is biological in its origins, yet one that feels psychological in the experience of it, an illness that is unique in conferring advantage and pleasure, yet one that brings in its wake almost unendurable suffering and, not infrequently, suicide.”― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“I know the empathy borne of despair; I know the fluidity of thought, the expansive, even beautiful, mind that hypomania brings, and I know this is quicksilver and precious and often it’s poison. There has always existed a sort of psychic butcher who works the scales of transcendence, who weighs out the bloody cost of true art.”― David Lovelace, Scattershot: My Bipolar Family

“When my mind plays tricks on me I can deal. But when my mind plays tricks on my mind I can not tell what’s real”― Stanley Victor Paskavich

Love Lasts One Day #16

Love Lasts One Day
By Jennifer Kiley
11.15.12
November Month of the Verse 30 days 30 verse #16
Dedicated to A.S. You are missed. She loved butterflies too…

butterfly elegant yorkshire rose

forever young-alphaville dedicated to a.s. you are missed