Genius or Madness?
“Up/Down” Bipolar Disorder Documentary
Post Created by Jk the SK
Illustrated by j. kiley
Created May 12th 2013
Posted May 13th 2013
6 November 2012
Genius or Madness?
Professor Glenn Wilson
Another description of the schizophrenic thinking style is that it tends to be over-inclusive, with the boundaries of relevance being set more broadly. To most people, an apple falling off a tree and the movement of planets in the solar system would appear to have nothing in common, but Newton was insightful enough to connect them under the grand unifying concept of “gravity.” Of course, not all such generalisations turn out to be that useful but many great scientific theories depend upon the ability to perceive improbable connections.Exactly how loose associations or over-inclusive thinking promote genius is unclear. If enough crazy ideas are generated, one or two might hit the target by chance alone. This approach is deliberately harnessed in “brainstorming” sessions which use random “flashcards” as a means of generating fresh ideas. Certainly, it is difficult to be creative operating within received wisdom and some of the greatest artists and composers were the “rebels” least shackled by the traditional rules of their art. However, the “shotgun” theory smacks slightly of “monkeys on typewriters”. (It would take a long time for them come up with the complete works of Shakespeare). Outstanding advances in science, like the theories of evolution and relativity, and great works of art, such as Wagner’s Ring Cycle, cannot be generated by chance alone. Profound imagination and high-level spatial intelligence is usually required in addition.Application to the point of “work addiction” is also often involved. Edison reckoned that genius was 1% inspiration and 99% perspiration.Most creative people are also the most productive. There is a positive correlation between quality and quantity of output, implying that each masterpiece is likely to be interspersed with much that is mediocre. (I do not ne)cessarily agree with this statement.)The human tendency to apophenia may be implicated in both creativity and madness. This refers to seeing meaningful patterns where they do not exist and it underlies superstition and hallucinations (e.g., seeing ghosts and hearing “voices”). This perceptual style has survival value because failing to spot a predator in the forest is a bigger (potentially fatal) mistake than seeing one where it does not exist. Exaggerated apophenia is characteristic of schizotypal individuals and is enhanced by dopamine.Another mental “illness” linked with creativity is bipolar mood disorder (previously called “manic-depressive psychosis”). This is characterised by extreme mood swings, occurring over a period of months, and it seems particularly to afflict artists, writers, musicians and comedians. Among highly talented people who appear to have suffered mood disorder are Peter Tchaikovsky, Robert Schumann, Vincent Van Gogh, Virginia Woolf, Spike Milligan, Paul Merton and Stephen Fry (who presented a TV documentary on bipolar disorder detailing his experiences).Genetic analysis shows links between bipolar disorder and schizophrenia. Sufferers are often tortured souls, particularly when the “Black Dog” afflicts them, and their feelings may be tapped to give greater depth and sensitivity to their art. On the other hand, the “flight of ideas” experienced in the “manic” phase of the mood cycle can result in exceptional productivity. As with the trade-off between schizophrenia and genius, bipolar disorder balances troughs with peaks in a way that might account for its evolutionary survival. Treatments are available for bipolar disorder but there is a danger that, by smoothing mood, they could impede the creative forces.Then there are the autistic spectrum disorders (such as Asperger’s syndrome) in which a deficiency in social communication is sometimes accompanied by “savant” skills in fields like music, mathematics and spatial intelligence. In the film Rain Man (1988), Dustin Hoffman plays Raymond Babbitt an autistic whose exceptional memory is exploited by his brother to count cards in Las Vegas casinos. (This was loosely based on a real-life savant called Kim Peek, who may in fact have had a chromosome disorder). The artist Louis Wain, who became famous for his surrealistic cat paintings was hospitalised for schizophrenia, but others have argued he was actually autistic.These various “disorders” can all contribute to extraordinary contributions to art and science. Some tendency to psychotic traits seems to be beneficial (thus accounting for the maintenance of such genes) but too much makes the individual disorganised and is hence detrimental. It is notable that creative artists and writers have profiles similar to those of psychotic patients on clinical scales of the Minnesota Multiphasic Personality Inventory (MMPI) but are less extreme – in fact, roughly half-way between normal controls and full-blown schizophrenics.
What is the mechanism whereby schizophrenic genes promote survival? The clue may be in the behaviour of bower birds, the males of which make colourful and elaborate constructions in order to attract a female (the Taj Mahals of the bird world). Creativity has also been shown to promote mating success in men, as measured by number of sex partners. Since there is no such connection for women, it is not surprising that men’s productivity in art and science exceeds that of women by around ten times.(I don’t believe this statement about men exceed women by around ten times in productivity in art and science—more like opportunity and the continued imbalance in availability and acknowledgment).Obviously, it does not do to be totally and permanently “away with the fairies”; some measure of control needs to be maintained. Consider James Joyce and his daughter Lucia, who was being treated by Carl Jung for schizophrenia in 1934. Joyce doubted she could be schizophrenic because her thought patterns were so similar to his own. Jung disagreed, comparing father and daughter to two people who had arrived at the bottom of a river. According to Jung, James had dived there, whereas Lucia had fallen in.
Genius and madness have much in common but there are also important differences between them. Mostly these are to do with intelligence, self-insight and contact with reality. Salvador Dali said: “There is only one difference between a madman and me. The madman thinks he is sane. I know that I am mad”. Certainly, Dali was eccentric, self-absorbed and grandiose with a flamboyant moustache and a manic stare. But he was also a skilled draftsman, who produced brilliant, imaginative artworks, which made him rich, famous and able to enjoy a life of luxury. He was not, therefore, totally mad. © Professor Glenn D Wilson 2012
Genius or Madness? The Psychology of Creativity – Professor Glenn D. Wilson. The text is close to what is on the video but if you want to see it just click on this link.
“Up/Down” Bipolar Disorder Documentary FULL MOVIE (2011)This is a brilliantly made Documentary. Everyone who is Bipolar or knows someone who is or those in the Psychiatric profession and do counseling with anyone who is bipolar or anyone interested in bipolar and everyone who wants to have a knowledge of bipolar and find out what it is from what the myths are or how much people are misinformed about bipolar. A MUST SEE VIDEO. STOP THE STIGMA OF BIPOLAR AND ANY FORM OF MENTAL “ILLNESS” CREATIVITY.
Beethoven’s Ninth Symphony
QUOTATIONS on GENIUS:
“There’s a fine line between genius and insanity. I have erased this line.” ― Oscar Levant
“Genius is nothing more nor less than childhood recaptured at will.” ― Charles Baudelaire, The Painter of Modern Life and Other Essays
“No great mind has ever existed without a touch of madness.” ― Aristotle
“I’m a misunderstood genius.”
“Nobody thinks I’m a genius.”
― Bill Watterson
“Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius — and a lot of courage to move in the opposite direction.” ― E.F. Schumacher
“The public is wonderfully tolerant. It forgives everything except genius.”
― Oscar Wilde, The Artist as Critic: Critical Writings of Oscar Wilde
“The true genius shudders at incompleteness — imperfection — and usually prefers silence to saying the something which is not everything that should be said.” ― Edgar Allan Poe, Marginalia
QUOTATIONS on MADNESS:
“Sanity is a madness put to good uses.” ― George Santayana, Essential Santayana, The: Selected Writings
“So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there’s always madness. Madness is the emergency exit.” ― Alan Moore, Batman: The Killing Joke
“Human madness is oftentimes a cunning and most feline thing. When you think it fled, it may have but become transfigured into some still subtler form.” ― Herman Melville, Moby-Dick
“I don’t possess these thoughts I have — they possess me. I don’t possess these feelings I have — They obsess me.” ― Ashly Lorenzana
“The thoughts written on the walls of madhouses by their inmates might be worth publicizing.” ― Georg Christoph Lichtenberg
“Men have called me mad; but the question is not settled whether madness is or is not the loftiest intelligence — whether much that is glorious — whether all that is profound — does not spring from disease of thought — from moods of mind exalted at the expense of the general intellect. They who dream by day are cognizant of many things which escape those who only dream by night. In their gray visions they obtain glimpses of eternity, and thrill, in waking, to find that they have been upon the verge of the great secret. In snatches, they learn something of the wisdom which is of good, and more of the mere knowledge which is of evil. They penetrate, however rudderless or compassless, into the vast ocean of the ‘light ineffable’.” ― Edgar Allan Poe, Eleonora
QUOTATIONS on BIPOLAR:
“I’m the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible…” ― Elizabeth Wurtzel, Prozac Nation
“There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you’re high it’s tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one’s marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends’ faces are replaced by fear and concern. Everything previously moving with the grain is now against– you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness
“Manic-depression distorts moods and thoughts, incites dreadful behaviors, destroys the basis of rational thought, and too often erodes the desire and will to live. It is an illness that is biological in its origins, yet one that feels psychological in the experience of it, an illness that is unique in conferring advantage and pleasure, yet one that brings in its wake almost unendurable suffering and, not infrequently, suicide.” ― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness
“Compared to bipolar’s magic, reality seems a raw deal. It’s not just the boredom that makes recovery so difficult, it’s the slow dawning pain that comes with sanity – the realization of illnesss, the humiliating scenes, the blown money and friendships and confidence. Depression seems almost inevitable. The pendulum swings back from transcendence in shards, a bloody, dangerous mess. Crazy high is better than crazy low. So we gamble, dump the pills, and stick it to the control freaks and doctors. They don’t understand, we say. They just don’t get it. They’ll never be artists.” ― David Lovelace, Scattershot: My Bipolar Family
“Depression is a painfully slow, crashing death. Mania is the other extreme, a wild roller coaster run off its tracks, an eight ball of coke cut with speed. It’s fun and it’s frightening as hell. Some patients – bipolar type I – experience both extremes; other – bipolar type II – suffer depression almost exclusively. But the “mixed state,” the mercurial churning of both high and low, is the most dangerous, the most deadly. Suicide too often results from the impulsive nature and physical speed of psychotic mania coupled with depression’s paranoid self-loathing.” ― David Lovelace, Scattershot: My Bipolar Family
“Absurdity and anti—absurdity are the two poles of creative energy.” ― Karl Lagerfeld
“Except you cannot outrun insanity, anymore than you can outrun your own shadow.” ― Alyssa Reyans, Letters from a Bipolar Mother