A Multiple Part Series – Part # 5
“Think With Words—Not Ideas”
by Susan Sontag
Post by Jennifer Kiley
Post Sunday 23rd November 2014
Weakness of American poetry — it’s anti-intellectual. Great poetry has ideas.
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Not only must I summon the courage to be a bad writer — I must dare to be truly unhappy. Desperate. And not save myself, short-circuit the despair.
By refusing to be as unhappy as I truly am, I deprive myself of subjects. I’ve nothing to write about. Every topic burns.
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The function of writing is to explode one’s subject — transform it into something else. (Writing is a series of transformations.)
Writing means converting one’s liabilities (limitations) into advantages. For example, I don’t love what I’m writing. Okay, then — that’s also a way to write, a way that can produce interesting results.
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‘All art aspires to the condition of music’ — this utterly nihilistic statement rests at the foundation of every moving camera style in the history of the medium. But it is a cliché, a 19th century cliché, less an aesthetic than a projection of an exhausted state of mind, less a world view than a world weariness, less a statement of vital forms than an expression of sterile decadence. There is quite another pov [point of view] about what ‘all art aspires to’ — that was Goethe’s, who put the primary art, the most aristocratic one, + the one art that cannot be made by the plebes but only gaped at with awe, + that art is architecture. Really great directors have this sense of architecture in their work — always expressive of immense line of energy, unstable + vital conduits of force.
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A Short Note for the end of each part of this 8 part series.
Sontag was quoted by Editor-in-Chief Brendan Lemon of Out magazine as saying “I grew up in a time when the modus operandi was the ‘open secret’. I’m used to that, and quite OK with it.” – Susan Sontag
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